Derek Walcott Quotes
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There is a force of exultation, a celebration of luck, when a writer finds himself a witness to the early morning of a culture that is defining itself, branch by branch, leaf by leaf, in that self-defining dawn, which is why, especially at the edge of the sea, it is good to make a ritual of the sunrise.
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Visual surprise is natural in the Caribbean; it comes with the landscape, and faced with its beauty, the sigh of History dissolves.
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I hate all that nonsense about not touching the colonialists' language. All that about it being corrupting and belonging to the master and making you Caliban. That thinking just denies you an outlet. You deny everything that is great from a language, whether it is Conrad or Shakespeare.
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Like any art, what is the most imprisoning thing is also the most delivering thing. If an actor knows he only has 12 syllables in a line, the challenge is, 'How can I interpret the meaning and contain it without going one syllable over?'
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Miscegenation is not an idea that we would have in the Caribbean. It wouldn't come up because anybody could marry anybody, you know. I'm not saying that there aren't prejudices in the Caribbean, but the idea of the word 'miscegenation' is not something that we think of.
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My dedication to trying to be a poet started very, very young, and I was very well encouraged by good teachers and by older friends and so on, so I think it is a benediction, and I also think it is a calling, a duty.
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The violence of beast on beast is read As natural law, but upright man Seeks his divinity by inflicting pain.
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What makes a poem is the discipline inherent in making a poem: trying to fit feelings in the requisite number of syllables and lines, disciplining one's feelings.
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I made a vow that I wouldn't be tempted by what could happen to me if I went to Europe. I thought, 'You could be absorbed in it - it's so seductive, you might lose your own search for identity.' Then, when I did finally go to Europe, I was able to resist it because I had established my own identity.
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There's always a need at a critical time for poetry.
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I knew very early what I wanted to do, and I considered myself lucky to know that's what I wanted, even in a place like Saint Lucia where there was no publishing house and no theatre.
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You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart.
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Poets are always making waves. I mean, you know, in an ideal situation, the ideal republic can't tolerate poets because - it isn't that they mutter and criticize; it is that the poet does not accept the situation called the 'perfect' condition of man - in other words, perfect in the materialistic sense.
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The discontent that lies in the human condition is not satisfied simply by material things.
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I think, at the heart of the idea of American democracy, there is something tender.
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I think young writers ought to be heretical.
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Ted Hughes is dead. That's a fact, OK. Then there's something called the poetry of Ted Hughes. The poetry of Ted Hughes is more real, very soon, than the myth that Ted Hughes existed - because that can't be proven.
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Rhyme is an attempt to reassemble and reaffirm the possibility of paradise. There is a wholeness, a serenity, in sounds coupling to form a memory.
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The poet complains or points out the discontent that lies at the heart of man, the individual man, and how can that be redeemed?
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I don't think poetry has a readership anywhere, really, that's that big.
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I always knew that was what I wanted to do - to write, particularly poetry.
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I'm just a red nigger who love the sea,I had a sound colonial education,I have Dutch, nigger, and English in me,and either I'm nobody, or I'm a nation.
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Individual writers have different postures, different stances, even different physical attitudes as they stand or sit over their blank paper, and in a sense, without doing it, they are crossing themselves; I mean, it's like the habit of Catholics going into water: you cross yourself before you go in.
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There are some things people avoid saying in interviews because they sound pompous or sentimental or too mystical.