Frederick Banting Quotes
The place where we were operating was not fit to be called an operating room. Aseptic work had not been done in it for some years. The floor could not be scrubbed properly, or the water would go through on the laboratories below.
Quotes to Explore
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I always watch the work I do.
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I think there is an enormous sea change happening in the global workforce. It has a lot to do with globalization. I think that people used to have a hope for a career or meaningful employment, and its been reduced to internships, part-time work or just grossly underpaid work.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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What has never changed, what is always present and what is, in the end, what sustains us is that energy that I talk about in 'Like Water for Chocolate...' that loving energy. Without that, I wouldn't have had the strength to keep going and enjoy life.
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When you're a woman, you have to work harder to get a laugh... I follow so many hilarious women on Twitter. It's a daily reminder that women get to be funny.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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I have three Defensive Players of the Year. Only one other player has done that. But being a defensive lineman, it's hard to control the game.
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I still sweat bullets if I go on The Tonight Show, but I tell myself, You can either have fun tonight or you can be shy and miserable. You ask my friends or anyone I work with now - nobody would say I was shy.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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My favourite author as a child and teenager, and who I still re-read now, is K. M. Peyton. She writes very truthfully; sometimes I'm not sure if I've actually done things or just experienced them in her books.
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It is very difficult to work in another language, and it is also very challenging.
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Just about the entirety of the first album, 'Brown Sugar,' I wrote it, the majority of that record in my bedroom in Richmond. And all of the demos for it were done on a four-track in my bedroom. I think EMI was a little leery of me being in the studio producing it on my own, which is what I was fighting for.
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When I diced vegetables, it was painstaking work to make sure that every single piece looked the same: 1/4-inch cubed for small, 3/4-inch cubed for large. It's a matter of practice and precision.
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I got behind that pencil and nothing happened for many years, but since they put me in the Songwriters Hall of Fame, I've turned around. I took a good look at myself and said, I think it's time to get back at work.
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I first moved to Denver to work with a group called YWAM, 'Youth With a Mission.' I was a kid - I was 18 - and did some work with homeless people. Really, trying to convert people is sort of an awful position to find yourself in, so I quickly, on my own, grew out of religious ideas.
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We had a great dramatics department in school, so I did a lot of plays and theatre there. Later, when I was the captain of our student's ward, I figured out that if you find something you really love to do, you don't have to work for the rest of your life! You can just have fun and still excel in it because you enjoy what you do.
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Most people think in order to validate yourself as an artist, you have to write your own songs. I commend the guys that do. I've done it. But I also think that you can pick great songs outside that you didn't write that can help your career.
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I will seek the presidency with nothing to fall back on but the judgment of the people of the United States, and nowhere to go but the White House or home.
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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I don't think anyone can call a movie like 'I Know What You Did Last Summer' a horror movie. It's a jolt. It's a series of jolts followed by a quick one-liner that's wallpapered with an MTV rock & roll soundtrack. That's not horror to me.
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Imagine you can tell YouTube you have an hour to watch TV, and it would give you programming based around what you have watched in the past, what your friends watched and recommended, what your favourite celebrities tweeted about, and on one piece of input from you about what mood you are in.
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The place where we were operating was not fit to be called an operating room. Aseptic work had not been done in it for some years. The floor could not be scrubbed properly, or the water would go through on the laboratories below.
