Paul Tsongas Quotes
Quotes to Explore
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For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
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I immigrated to the United States in 2001 for college.
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We who grew up with 'drop and cover' drills know all too well what wonders science can bring us, and we like to see the guy in the white lab coat suffer a little. Or a lot.
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Every four weeks I go up a bra size... it's worth being pregnant just for the breasts.
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I grew up on the rough side of the tracks. If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.
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I don't feel I fit in with morning television because I'm like a vampire and I like to stay up late.
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I was brought up to think a lot about food and have respect for it, both as medicine and something to eat and enjoy.
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I wanted to make Canadian films, and I ended up making American films.
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I grew up riding horses since I was eight. I rode English style and competed every weekend. I had two horses, Scout and Camille, and they were my babies. It taught me a lot about responsibility and commitment. I hope horses will always be in my life.
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I'm so suspicious of our own understanding of the past. I just think that your mind plays absolute tricks on you and fools you every minute of every day. And so when you're talking about the past, you're talking about something that never happened. At least it didn't happen the way you think it happened.
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My mom was my main influence growing up, and Phylicia Rashad reminded me a lot of my mother, just the way she handled certain things, she was... not soft-spoken but smooth-spoken. Just very calm, cool, collected about things.
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Until I was five, my immediate family lived near my grandfather's farm where my mother had grown up and, with the exception of a few modern conveniences, had not changed a lot over the years.
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My party trick is that I can get ready to go to the party really quickly. I'm actually a woman that can have a shower, dry and style her hair, do her make-up and get dressed in under an hour.
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I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
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When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
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In my mind, I always think of myself as an underdog type.
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I would say both Western psychology and Eastern paths would recognize that we get caught up in feeling like a separate self and an unworthy self.
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In my mind, the home run is paramount because it means instant runs.
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The perks of working in Japan are that you might go for two weeks every three or four months, so you do work an abbreviated schedule. But you really make up for the abbreviated schedule by how hard you have to fight, how much you've got to be in shape.
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My life experience has taught me nothing happens by chance. Even the idea of the ball in a roulette game: it's not chance it ends up in a certain place. It's forces that are at play.
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Just as I am working hard to adjust to a new level, someone comes along and asks me to move up again. I'm not complaining about it; I just get on with trying to make sure I don't let anyone down. Training with England is just a different gravy again. Movement-wise, finishing-wise, you can learn such a lot from watching the very best in action.
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Obviously the first roles that you're proud of are the ones that everybody else liked too.
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I'm not hip-hop. I'm Tyler.
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I have pretty much made up my mind to do this.
