Preston Manning Quotes
During his long political career, my father was always active in communicating the Christian gospel from the evangelical perspective,...
Quotes to Explore
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Only twice have I really had a hard time leaving a character. The first was my character in 'Rome' and then in 'Homeland.'
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I suffer greatly from nerves. I have stage-fright badly, and it gets worse, but the stage is still my life.
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The old Devil gets mad when you're trying to do good. Pray that God will move the stumbling blocks.
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I actually started off majoring in computer science, but I knew right away I wasn't going to stay with it. It was because I had this one professor who was the loneliest, saddest man I've ever known. He was a programmer, and I knew that I didn't want to do whatever he did.
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North as well as South, the Negroes have emerged from slavery into a serfdom of poverty and restricted rights.
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Money is not everything. We don't need billions and trillions of dollars.
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One element of Madonna's career that really takes center stage is how many times she's reinvented herself. It's easier to stay in one look, one comfort zone, one musical style. It's inspiring to see someone whose only predictable quality is being unpredictable.
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All happiness or unhappiness solely depends upon the quality of the object to which we are attached by love.
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Washington has, with some justification, gained a reputation for being hopelessly mired in partisan gridlock.
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People used to say I'm weak in comedy. But, with 'Mahesh Khaelja' and 'Dookudu,' I have proved that I am good at comedy.
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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Historically, I think you can really judge a person by their shoes.
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I was pregnant, and, like, 'Being a mom's going to be easy!' And now I'm like, 'Great.'
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Actually, I don't think there's anyone that represents the artists, except the artists themselves.
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It's often out of my own insecurity. If I'm picky, it's for that reason. I want to be able to bring my best to the table. So if I'm not connecting to something, then I'm not gonna hold up my end of the bargain, and that's really embarrassing.
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If you realize too acutely how valuable time is, you are too paralyzed to do anything.
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You know I don't really have faith in politicians - this is quite a sleazy business. But there is no law which says that all politicians will turn out to be scumbags.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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I want to be part of the resurgence of things that are tangible, beautiful and soulful, rather than just give in to the digital age. But when I talk to people about this they just say, 'Yeah, I know what you mean,' and stare at their mobiles.
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It costs a lot of money to release a movie. What you'd call art-house movies - movies that don't have big stars or big budgets - they're very hard for distributors to get behind 'em and take chances.
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I cannot write long books; I leave that for those who have nothing to say.
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I have forgotten much, but still rememberThe poinsiana's red, blood-red in warm December.
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My advice to Hillary would be to divorce that chump.
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During his long political career, my father was always active in communicating the Christian gospel from the evangelical perspective,...
