Priscilla Ahn Quotes
In whichever way my music can get out there, I'm just like, 'Sure.' It's also through the TV synch licenses that I've been surviving. I don't really make money through record sales. I used to be really picky: 'No, I don't want it to be the song of a commercial,' but nowadays it's what you need to do to get the song out as much as you can.
Quotes to Explore
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If you're thin-skinned, you don't belong doing what I do for a living.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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I brought several national projects to Katihar.
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I cry all the time. I love to laugh, too. It's important to create an environment for yourself where you feel what you need to and don't hold it in.
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I kind of lost interest in school. I was never really that interested anyway. I was never academic. I didn't really go to school as much as I should have.
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My father is a silent cinema freak, so he took me to 1925 silent films that took forever, like 5-hour movies, but I've seen a lot of that stuff since I was young. And then I saw the film 'Annie,' and I just wanted to be Annie; I just wanted to be that orphan kid and wanted to sing and dance.
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Sometimes I'm not even aware of some of the issues going on with me in my life until I sit down and start kind of looking for inspiration, trying to find something that inspires that creativity.
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My son Darrel could recite 'Straight Outta Compton' at two years old. He loved it! You can expose your kids to anything as long as you sit there and explain it to them.
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Chicago is one city. We shall work as one people for our common good and our common goals.
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In our tabulation of psychoanalytic results, we have classed those who stopped treatment together with those not improved. This appears to be reasonable; a patient who fails to finish his treatment, and is not improved, is surely a therapeutic failure.
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When I eat something like vegetable bibimbap, I get that warm and fuzzy feeling of eating stuff that I grew up with.
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I think my novel, 'Walden Two,' has made people stop and look at the culture they have inherited and wonder if it is the last word or whether it can be changed.
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If you are in a relationship, it has to be a good one. If it isn't, it's best to just leave it.
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For me, rockabilly is very, very exciting music. It's electric and kind of wild, you know? It's 'make your hairs stand up on the back of your neck' kind of music.
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There was no religion in my life growing up. Did God invent us or did we invent God?
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What I'm trying to do is get a change in the mindset so people move from a level of mere tolerance to total acceptance and eventually to celebrate diversity. If you feel comfortable with one another, it doesn't matter whether we live in which neighbourhood but we can interact with one another freely. It's a mindset.
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My mum is a bit unconventional; she's outdoorsy and has more of an emotional intelligence, whereas my dad is pragmatic; he's a businessman.
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I find the presence of the sea quite inspiring, and sometimes I do just get out and walk around and take in the sea breeze to try and clear my mind.
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A spiritual person is also in touch with his or her own reality, feelings and thoughts, and the reality of the people around him or her, not projecting on them.
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Emir said: 'This way everyone lives in a body of a kind for a while, and then leaves its body behind so that it can be remade for someone else. That's a very simple explanation, but it will do for now. Then all new life has a chance to live, and lots of room. Then we each take turns, so we can come back on new bodies when there's room available.
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But really important, perhaps most important is the craft; how you make your record, the creation of these sonic worlds you want your listener to hear.
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People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer. I mean, they're playing with the same amount of ferocity. It's not to say all jazz is like that.
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I have absolutely no interest in playing the young male lead around which a story happens.
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In whichever way my music can get out there, I'm just like, 'Sure.' It's also through the TV synch licenses that I've been surviving. I don't really make money through record sales. I used to be really picky: 'No, I don't want it to be the song of a commercial,' but nowadays it's what you need to do to get the song out as much as you can.
