Martin Rees Quotes
The most important advances, the qualitative leaps, are the least predictable. Not even the best scientists predicted the impact of nuclear physics, and everyday consumer items such as the iPhone would have seemed magic back in the 1950s.
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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We continue to be bullish on China.
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I've got a couple of bands that I'm working on. The one I'm really excited about, we're called London The Child. It's folky music and it's really cool.
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The thoughtful soul to solitude retires.
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If someone says, 'I love that lipstick,' I will always try to answer, honestly, if I know what color it is. It's a connective tissue.
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If you look back on the breakups that you've had, whether it's a long relationship or a one-night stand, it's always awkward.
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In the process of evolution, the body lasts for some time and then will take other body and take other body and take other body until the final redemption from diversity is transcended.
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I'll never do a film because it's a massive budget and I'm gonna get lots of publicity for it and it will bring something else.
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Take, for example, the African jungle, the home of the cheetah. On whom does the cheetah prey? The old, the sick, the wounded, the weak, the very young, but never the strong. Lesson: If you would not be prey, you had better be strong.
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My favorite place is Central Park because you never know what you're going to find there. I also like that when I look out the windows of surrounding hotels, it's seems like I'm looking out over a forest.
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An ounce of action is worth a ton of theory.
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I'll admit it: I'm a control freak. I am. If I'm going to do something, I'm going to do it 110% or there's no point in doing it at all, especially if the work takes me away from time with my husband and children.
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I like to act with people that know what they're doing.
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I loved when my dad was home. He liked to sit in the living room and watch boxing and baseball on TV. Or he'd be tinkering around or listening to records by his musician buddies - George Shearing, Oscar Peterson and the Jackie Gleason Orchestra.
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One afternoon, on my way to the campus - I was majoring in political science at Nairobi University - a photographer by the name of Peter Beard stopped me in the street and asked me if I'd ever been photographed.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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Could we see when and where we are to meet again, we would be more tender when we bid our friends goodbye.
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I try to stay consciously away from the roles of the girl who throws herself at the leading man, because I've done it a lot and I want to move on. I ticked that box.
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Actors pull from their own experiences to bring reality to the characters. I wouldn't want to play someone who's a lot like me. There would be no turning it on or off.
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I was taught by professors who had done their schooling in the 1930s. Most of them were scornful of, even hated, big business.
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Once a film is made and it exists, someone somewhere is going to watch it and that is kind of the magic of it all.
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The most important advances, the qualitative leaps, are the least predictable. Not even the best scientists predicted the impact of nuclear physics, and everyday consumer items such as the iPhone would have seemed magic back in the 1950s.
