Dick York Quotes
Anyone who would let Gary Cooper and the entire cast go charging on horseback without first finding out what kind of footing the horses had is nuts and cannot possibly direct a motion picture.
Quotes to Explore
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.
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My first trip to Mexico was with my dad because of his Spanish records. That was back in 1958. I found a picture of me when I was eight dressed as a little senorita.
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I am not influenced by the techniques or fashions of any other motion picture company.
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I am a huge admirer of Elizabeth I, and this intriguing biography gives a wonderful picture of the era.
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I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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To people of my generation, the picture show was really another dimension - sensual, whimsical. No uniforms or collective rites, but a place where little boys like me could laugh and feel free.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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The incentive for digging up gossip has become so great that people will break the law for the opportunity to take that picture. Then it crosses the line into invasion of privacy. The thing that's really bad about it, though, is that the tabloids don't tell the truth.
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Life is painting a picture, not doing a sum.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
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There are hundreds of books about Woodrow Wilson, but I have an image of him in my mind that is unlike any picture I have seen anywhere else, based on material at Princeton and 35 years of researching and thinking about him.
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My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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The picture of change in human society that emerges from this recent research throws new light on that aspect of the Transition that has been called the ‘Upper Palaeolithic Revolution’ and the ‘Creative Explosion’ – that time when recognizably modern skeletons, behaviour and art seem to have appeared in western Europe as a ‘package deal’.
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It's sort of a law of the art world: The stuff that grows in importance is only the stuff you bought because it wowed you.
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Digital communication is completely different from in-person, face-to-face conversations. One will give you surface insights, and the other really gives you depth.
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If you tell people what everything is before they have a chance to experience it, then I feel like it's a much different experience.
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I'm Phil Knight, and I don't believe in advertising.
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Anyone who would let Gary Cooper and the entire cast go charging on horseback without first finding out what kind of footing the horses had is nuts and cannot possibly direct a motion picture.
