Dieter Rams Quotes
Quotes to Explore
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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If you stop being scared, that's when entropy sets in, and you may as well go home.
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There aren't a lot of roles written for women who are strong willed.
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My success has got so great, it's like I'm trapped, almost, within it.
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My sister and I had resolved never to become teachers because the job seemed to demand so much. My mother always seemed to be working. Our dining room table was cluttered with papers waiting to be read and graded.
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I feel Dress for Success is basically about empowering women who were in a disadvantaged situation. The act of wearing a suit when she's walking in the door, it's so powerful - it's about gaining control of their lives and situations.
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I think, on a larger note, that filmmakers and studios should start to tuck it in a little bit, because films wouldn't have the pressure they have if the word wasn't out about how expensive they were.
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I give two hoots about being typecast. It's not in my hands.
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My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
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If an ignorant person is attracted by the things of the world, that is bad. But if a learned person is thus attracted, it is worse.
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Any econometrician who wants to see practical application of his science will be highly concerned with applications to economic planning at the national level.
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There's something about sitting face-to-face with an attorney in an office that enables people to come to grips with the very idea of divorce - or to reconsider the idea. Like a number of my colleagues - not all - I offer that preliminary consultation for free.
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There are over 1 million refugees in Lebanon, a country of 4 million people. How do we solve that? I have no idea. What's going on, I really don't know.
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I mix things from my Somali culture and my American side.
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People come out of the mid-west and go to the Ivy League. I kind of reversed the direction.
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It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared - as it always should be.
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I love being the sidekick. I'm pretty sure fans love seeing me that way.
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When you hear a story, do you believe only the nice parts? Truth isn’t like a baked fish, where you can eat the flesh and leave the bones and skin. You have to eat it all.
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When I write, my brain moves faster than my hands so I'm always trying to picture things.
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To exaggerate the fairness of hair, I come even to orange tones, chromes and pale yellow ... I make a plain background of the richest, intensest blue that I can contrive, and by this simple combination of the bright head against the rich blue background, I get a mysterious effect, like a star in the depths of an azure sky.
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I struggle if I have chaos around me, but at the same time, if I don't have it, I'm uncomfortable. It's a strange thing: If I don't have chaos, I create it.
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There is no greater feeling than hanging out with my dogs, or just walking around the land with our horses. My rescue ranch is is where I feel the most at peace and where I'm reminded of the simple things in life and let the chaos of my crazy work life fade away.
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All too much of the man-made is ugly, inefficient, depressing chaos.
