Nelson DeMille Quotes
You have to go out of your way as a suspense novelist to find situations where the protagonists are somewhat helpless and in real danger.
Quotes to Explore
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I think you can say anybody uses anything as a gimmick. Is Adele's not having gimmicks her gimmick? It's hard to say, isn't it? Really, I think that everybody has something that people like or that's great about them.
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I was a tomboy.
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I like hip-hop, but I don't like concerts. There's, like, sweat on people's backs.
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It was a movement that had all the art critics, all the museum directors in its thrall.
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In the South, there was absence of any leadership corresponding in breadth and courage to that of Abraham Lincoln.
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There are clearly many good politicians who are guided by religious belief, so the mix can work. But there's a line to be drawn. It would be hugely dangerous for a country's laws to be set by the scriptures, and particularly those of the expansionist religions.
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Only a few good leaders have paused to reflect seriously on being leaders.
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Of one thing there is no doubt: if Paris makes demands of the heart, then Munich makes demands of the stomach.
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There are certainly talented instrumentalists coming from India. I see them performing all over the world.
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We didn't realize there were that many boy bands until we started touring in Europe. I don't think we were ever affected by it since a lot of the groups in Europe didn't really sing live, but we did and would perform a cappella as well.
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A P2P business is a company that creates a platform which allows individuals or 'peers' to directly buy and sell from each other. This activity has sometimes been called the 'sharing economy.' Some are wary of these new companies and the challenge they pose to the established market.
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I write to please me, and I've been very lucky. It's like playing baseball. You just keep swinging, and eventually you get a hit.
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There is an inevitable divergence between the world as it is and the world as men perceive it.
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Do something because you really want to do it. If you're doing it just for the goal and don't enjoy the path, then I think you're cheating yourself.
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I remember my dreams when I was a junior soloist. 'Oh, I hope I don't end here,' I thought. 'I want to do the ballerina in 'Scotch Symphony.' I don't want to be the little Scotch girl.' And I actually went beyond my wildest dreams. I worked with Balanchine. I had ballets choreographed for me.
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My mom taught me the power of love. I learned to focus on the long-term big picture from my father. His sense of humor and light-hearted approach always make me smile. My husband is a pivotal anchor in my life. His influence encourages me to be independent and take risks.
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After I started being able to grow a beard, I was obviously done at Disney - until I'm old enough to be a parent or an annoying older brother.
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I don't consider myself a competition to anyone. There is ample space for everyone here. When there are directors who create characters for me, why should I feel bothered or insecure? When it comes to updating myself, I work very hard to relate to the emotions of characters I play.
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Just doing any kind of work - even an interview for breakfast television - makes me feel happy.
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Representation is a sort of surveillance.
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I learned, practically in my cradle (actually from Bill McMillan's thesis), that the ground state wave function of a system of bosons should necessarily be real and positive, a fact which made his early Monte Carlo simulations infinitely easier.
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I was a regular kind of academic music student. I was at Juilliard. I had to study all the contemporary music of the time, and changing that language very radically was just a sign or a signal that I was going to try to do something very different. I find that that's what I feel closest to. I found no real inner response in me in a non-tonal language.
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'Oh and Oh' is a tennis term... It's a nice way of saying you took your opponent to pieces.
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You have to go out of your way as a suspense novelist to find situations where the protagonists are somewhat helpless and in real danger.
