Dino De Laurentiis Quotes
After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.
Quotes to Explore
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I want people to get over the stigma about hemp. These seeds can't make you high, but they will make you feel good.
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One of my strengths is connecting with the players.
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I went back to Belfast and started a club, the Maritime. No one had thought about doing a blues club, so I was the first.
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I think that one of the primary roles of an attorney, and certainly we try to teach it here to our students, is that you counsel compliance with the law. The lawyer, more than simply being a mouthpiece for the client and advocating at whatever cost the client's interest, is also an officer of the court in questions that appear before the court.
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I love working the legislative process.
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I don't really look forward to movie stardom or doing a $200-million movie or winning an Academy Award.
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You have no power at all if you do not exercise constant power.
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I mean, I was always interested in people like Lenny Bruce, people who are breaking the old rules and making new ones.
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I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
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You just have to take control of your own performance.
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My real dream is that everybody will see their self-interest tied up with someone else, whether or not they see them, and see that as an opportunity for growing closer together as a culture and as a world.
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In my lifetime, Mitt Romney is the most qualified leader I've ever seen run for the presidency of the United States.
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The thing that is so great about Ang Lee is the diversity in his filmmaking, from 'Brokeback...' to 'The Hulk.'
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There comes a time when every scientist, even God, has to write off an experiment.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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I am that weirdo that chooses the difficult route down the side of the street.
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The more you keep costs down, the more freedom you have creatively.
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Hardest of all for Europeans to negotiate are traditional African religions, whose transactions with unseen powers are central to the running of life in many areas, the main weapon in the struggle against the forces of evil.
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Some people aren't comfortable with being comfortable. Some people really want to be pushed and find people that they can pull something out of you that you didn't know you had, and you can scare yourself.
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That loyalty to the country comes ahead of all other loyalties. And this is an absolute loyalty, since one cannot weight it in terms of what one receives.
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After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.
