Hansika Motwani Quotes
Quotes to Explore
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I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
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I was fortunate enough to get an author-backed role in Aamir Khan starrer 'Talash.'
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I live alone, so I don't really talk to anyone once I'm home. I have some silent nights.
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I remember reading the cruelest, most awful thing about my hair online. A person speculated about who I was as a person and even read into my personal life based solely off my hairstyle. He or she said I must be lazy because I have short hair. It was just devastating.
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Art is about play and about transcendent meanings, not reducible to politics.
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My experience growing up in a rough and tumble town in the blue-collar world of Western Pennsylvania in the 1970s was that anything a man did was always more important than anything a woman did.
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Horrible things happen when you run out of other people's money, and life and work becomes a burden when there is no reward for your effort.
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There's a big link between trains and film. One of the first filmed objects was a train. The clickety-clack of the projector and the clickety-clack of the train are similar. There is the idea of the voyage - every voyage is a story. I wonder if film would have been invented without the train.
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I always remember that I am a representative of my country, and I always think about the culture I'm bringing to people.
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I really found this campaign odious. I couldn't get up for it. The quality of the candidates and the campaign, I just found the whole thing second-rate. I didn't know how to explain to my granddaughter that I was spending my dotage writing about Al Gore and George W. Bush.
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Positive thinking will let you use the ability which you have, and that is awesome.
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Truth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
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I think personal beliefs of everybody shape everybody.
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To develop drugs for people, we basically dismantle the system. In the lab, we look at things the size of a cell or two. We dismantle life into very small models.
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Shakespeare doesn't really write subtext, you play the subtext.
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The Tea Party people say they're angry about socialism, but maybe they're really angry about capitalism. If there's a sense of being looked down upon, it's that sense of failure that's built into a system that assures everyone they can make it to the top, but then reserves the top for only a tiny fraction of the strivers.
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If you don't have liberty and self-determination, you've got nothing, that's what this is what this country is built on. And this is the ultimate self-determination, when you determine how and when you're going to die when you're suffering.
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This horror of pain is a rather low instinct and... if I think of human beings I've known and of my own life, such as it is, I can't recall any case of pain which didn't, on the whole, enrich life.
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I fear God and next to God I mostly fear them that fear him not.
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Every actor has his own identity. I don't aspire to be Bond. My quest is to do something new, something different.
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The beggarly question of parentage--what is it, after all? What does it matter, when you come to think of it, whether a child is yours by blood or not? All the little ones of our time are collectively the children of us adults of the time, and entitled to our general care. That excessive regard of parents for their own children, and their dislike of other people's, is, like class-feeling, patriotism, save-your-own-soul-ism, and other virtues, a mean exclusiveness at bottom.
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It can never be satisfied, the mind, never.
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I didn't even start college until I was 21.
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Even when I turn 60, they'll call me a child actor.
