Paul Weller Quotes
I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
Quotes to Explore
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When I meet someone who I really admire, I enjoy nothing more than trying to connect with them and asking them about their career. I want to know who the people are behind the performances and how they relate to their performances. But it's maybe not as novel as it once was.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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The utterly fallacious idea at the heart of the pro-war argument is that it is the duty of the anti-war argument to provide an alternative to war. The onus is on them to explain just cause.
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I just have to go out and fight my fight and fight to win.
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I grew up playing golf, and if I were ever good enough to play professionally, I would get to travel the world while playing a sport I love.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.
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You know, I've had an incredible career and I'm blessed.
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A plan is always successful if the plan is good.
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You're in the lap of the gods. If people go, they go, and if they don't.
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I thank you for your kind invitation to introduce me to the president of the Republic. Since I have not been out of my atelier for two months, I have no appropriate costume for this circumstance. Please excuse me.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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Science may be described as the art of systematic over-simplification.
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In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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Christianity doesn't demand that we worship our ancestors. If we don't remember our ancestors, then, in all likelihood, we cannot also recall the distant past.
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At the end of the day, the position is just a position, a title is just a title, and those things come and go. It's really your essence and your values that are important.
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I feel like a very lucky person. From the time I was young, I had a dream of becoming a writer. Now that dream has come true, and I am able to make my living doing something I really love.
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In fact, in Europe, I'm more kind of this bloke what writes lots of stuff.
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We get off track. Capitalism takes us off track. You get off the "real" and get on the "wheel." The "wheel" becomes the winning and losing, the succeeding and failing, the "I will achieve." All that stuff becomes so preoccupying, particularly if you're born with low self-esteem, or no sense of yourself, or even if you're just born in the consumer culture. It's very powerful.
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Beauty is an outward gift, which is seldom despised, except by those to whom it has been refused.
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I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
