Martine Syms Quotes
I have said it before and I will continue to say that I don't think art is the most effective form of protest. I don't think it changes policy; I think it changes discourse, and discourse can change ideas, and for me, that's what it's about: having that space for conversation.
Quotes to Explore
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Some desire is necessary to keep life in motion, and he whose real wants are supplied must admit those of fancy.
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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If you want to grow a beard like mine, the only thing I can tell you is that you have to have patience. You just have to let it grow.
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From success you get a lot of things, but not that great inside thing that love brings you.
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The principle of evil in Europe is the enervating spirit of Russian absolutism.
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What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
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You need tremendous spirituality to stop yourself falling into the abyss.
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Sometimes, especially when it's cold, I get dry skin, so I scratch a lot. I scratch my arms incessantly.
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In 20 years I want to look back and see a collection of crazy characters that I made - a menagerie.
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Ideology, politics and journalism, which luxuriate in failure, are impotent in the face of hope and joy.
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I am a self-critical perfectionist.
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What's most important in animation is the emotions and the ideas being portrayed. I'm a great believer of energy and emotion.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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I have a love for Shea Stadium and its fans. I had so much fun with the fans. Yeah, they booed me. I was like, 'I know, I know.'
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In my opinion, Christian Dior was never, ever theatre.
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Love comes in far more shapes and sizes than what the family-values crowd condones, of course.
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We've all heard about space and landing on the moon, but somehow it's a very tom-boyish adventure. It's planting the flag on the moon by Neil Armstrong, and it has this very male-hero edge to it.
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When I did my spacewalks, it was during space station construction. So the shuttle was docked to the fledgling ISS at the time. So we would always stay tethered.
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In a big picture sense, it's more national prestige that we're risking. You know, we are proud of our space program, but as we were talking earlier, the average American doesn't think that much about it right now. So, it may seem like something we could just give up and not really worry about it, but I think it starts creeping into the national psyche. If American astronauts have to hitch rides with the Russians or other nations in the future.
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In the end, the art of hunger can be described as an existential art. It is a way of looking death in the face, and by death I mean death as we live it today: without God, without hope of salvation. Death as the abrupt and absurd end of life
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With spectacular events taking up so much of the available anxiety quotient, we need to be constantly reminded of the more workaday threats to our mortality - threats that, while they may also be functions of human error, have become so ubiquitous that we've begun to apprehend them as natural phenomena.
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I have said it before and I will continue to say that I don't think art is the most effective form of protest. I don't think it changes policy; I think it changes discourse, and discourse can change ideas, and for me, that's what it's about: having that space for conversation.
