Dixie Carter Quotes
You have to take a huge loss financially to do a play. You have to put aside the commercials and the speeches and the other things that put money on the table, and really save up to do it. And that's what I've done here. But it's worth it to me to be in a really good play.
Quotes to Explore
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I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.
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If I hadn't spent many years trying to be as compassionate as Mother Teresa, as positive a thinker as W. Clement Stone, as prolific a writer as Stephen King, and as good a speaker as many of the legends I have studied, I would not be as successful as I am today.
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The percentage of actors employed is pretty small, and if you're lucky enough to have a good run at it, you do have a sense of responsibility.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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That's maybe the most important thing each generation does, is to break a lot of rules and make up their own way of doing things.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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Money just draws flies.
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I think I would make a good spy. I can sort of be a chameleon. People don't notice me very easily. I never get recognized.
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I went 59.9 sec. when I was 18 and thought, 'Hmm, that was fast - let's see how much faster we can go and what the rest of the world can do to keep up.'
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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I don't feel like I'm grown up. I feel like I'm a kid.
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In all good westerns, the good guy is always a little bit questionable because he kind-of has to make moral judgments.
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Sports in Indonesia aren't being supported by the government. The rewards you get as a young player don't match the effort you put in. I want to be different from other athletes, if not better, and I want to make something good out of my profile and help the younger players have opportunities.
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As you get older, you overthink and can talk yourself out of anything. It's good to be a bit reckless and experimental.
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If you are a researcher and want to publish a paper, if you are applying for money either from a private or public foundation, you have to have a DSM code.
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If you can count your money, you don't have a billion dollars.
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The Beatles were a group made up of four very complex men, and my small hand could not have broken these men up.
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I grew up being terrified of my parents, particularly my father figures.
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I have met hundreds of young people doing just what George Romney did: using a hand up in tough times to become part of the American Dream.
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The working class of England take their deracination completely for granted. Disenchantment is the happy code that informs every byway of the underclass: service jobs, celebrity dreams, Lotto wins, leisured poverty on pre-crunch credit cards, it's all there, part of the story of an English people whose grandparents never had it so good.
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Italy in the 1920s, Germany in the '30s, East Germany in the '50s, Czechoslovakia in the '60s, the Latin American dictatorships in the '70s, China in the '80s and '90s - all dictatorships and would-be dictators target newspapers and journalists.
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When it comes to God's commands, the issue is not clarity; it's commitment.
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From the time I was little, I always felt like an outsider. I always felt nervous and uncomfortable with myself.
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You have to take a huge loss financially to do a play. You have to put aside the commercials and the speeches and the other things that put money on the table, and really save up to do it. And that's what I've done here. But it's worth it to me to be in a really good play.
