Domenico Dolce Quotes
To me, the most emotional thing is to see regular people wearing our clothes. Yes, sometimes I see our clothes on somebody, and I think, 'No!', but you can't stop someone in the street and say, 'Please go home and change.'
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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Certainly there are things in life that money can't buy, but it's very funny - Did you ever try buying them without money?
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I work in the most non-Communist job. I work for 'Martha Stewart Living.'
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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Power is the by-product of understanding.
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There comes a time when money doesn't matter.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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The politics of the Cape Town Metro, which allows an executive Mayoral committee to make secret decisions which affect you, behind closed doors, is wrong!
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If you're going to play a villain, there's no greater compliment than being told that you give people nightmares. I never thought I would be the actor that would give people nightmares.
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My father was raised in the mountains of New Mexico, and he picked cotton for a dollar a day. He was working for the family from the time he was 7.
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Leeks, like other oniony things, reach a certain peak when fried. It's the subtle sweetness that suddenly becomes evident and works so well with their creamy texture.
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I keep in touch with what's real.
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One could laugh at the world better if it didn't mix tender kindliness with its brutality.
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I've been an actor now since freshman year of college, so it's 11 or 12 years.
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Web GIS allows us to take our systems of record - our traditional server and desktop technologies - and integrate them, bringing them together into a system of systems.
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I don't know what I was expecting or what I was dreaming about the xx accomplishing.
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I don't aim for perfection. But I do want to try and come up with something interesting.
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I was a fashion editor for years in London before I came to 'Vogue,' and I spent my life arranging the folds of a ball gown skirt for a picture and pinning fabric and using all those stylist tricks. And you don't have to do that now because they can do it in Photoshop.
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I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.
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I'm not going to write any more novels. I don't want to end up being one of these angry, bitter writers moaning that only three people are reading him. I don't want that.
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I sat with the grandson of Edgar Rice Burroughs at the world premiere of 'Tarzan,' and at the end of the film, he was very happy. He told me that we were bringing 'Tarzan' to a whole new generation, and he was very grateful.
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My days are in the yellow leaf;The flowers and fruits of Love are gone;The worm - the canker, and the griefAre mine alone!
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I made and created a show that my family was all on board with, and we were so excited because we got to work together.
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To me, the most emotional thing is to see regular people wearing our clothes. Yes, sometimes I see our clothes on somebody, and I think, 'No!', but you can't stop someone in the street and say, 'Please go home and change.'
