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I've got my travelling, my packing, my after-show activities all down to a science. I used to not work out on tour; now I take a trainer with me. I do things to make sure that I can give the crowd my all, because that's what I'm all about.
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More than anything, Play Cloths has taken risks in regards to the pieces of clothing that we're even creating. We started out as straight T-shirts. It was just T-shirts and a couple cool things. Now, it's leisure pants, it's all types of clothing. We're evolving even with fashion trends on a super high level.
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When you make albums like I do, and it's based off fanfare and based off touring - I make these albums, and I get on the road. It's not really a radio-driven thing. I get on the road, and I see my fans, and I touch each and every last one of them.
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I don't even know how to think about running out of things to talk about. Certain things are inescapable to me. I'm connected by the hip with so many things in the streets.
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As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
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Allen Iverson is, like, my all-time hero.
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People don't understand how long it really takes to find beats. Sometimes they're not all the way there, but it's elements in them I love. Then I get to take them to get chopped up. Ye got to cook over a few of them.
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My hip-hop fans are a little spoiled - they want a particular level of lyricism and energy that I'm known for. When they don't get that, it takes a little time for them to open up to it. But electronic fans are as free as the music. On social media, they were so excited and loud; they're in awe.
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I tell people that the Clipse were the first Internet rap darlings.
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The crafting of lyrics is really a task, and when it comes to street culture, I don't feel like anyone else articulates it better than me.
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'Darkest Before Dawn,' the short film, is basically the film of a man who faces the darkness when his back is against the wall and just about how miracles come in all forms, and even in your darkest times, it comes.
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My fans like a certain quality and a certain level of music. Once I give it to them, they seem pretty happy.
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By now, you should know what you're getting with Pusha T. I've been in this game since 2002, and my name says it all. You know I'm only moved by a certain style of rap. Not that many other styles move me. You have to really be a rapper's rapper for me to like it.
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Oh, I'm up at 6:00 A.M. every morning because I have a lot to do. Plenty. I work out probably at, like, 8:00. I gotta eat at 6:00 so, therefore, I can workout at 8:00.
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Playing a room, it's a real dictator-type situation - you can really move the crowd the way you want to. In a festival, there's a sea of people, and it's harder to lock in on any one group.
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I caught the U.S. Open a couple of times, but, man, I would love to catch Wimbledon and watch Nadal - he is the king of all kings.
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I got two stores, two streetwear stores, at home. Have to tend to those. Play Cloths. Have to tend to that business.
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My music is airy; it's spacious. It requires you to be able to rap and articulate your message over it. That's what the beat demands of you. Not a lot of people try to rap over my beats because it's a bit of a task.
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I think adidas really understands that it's cool to be in business with the right people. It really feels like a bunch of creative minds rather than some rap guys stamping their names on a sneaker. We're arguing over shoes, ideas, and everything - it's like a tug of war.
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I've always had some level of having to be independent outside of music because the music wasn't a smooth ride. We lost a lot in the mix: Everybody that I came in the music game with - friends I brought in with me - are all doing 10-34 years in jail. That's why if you want to get the real, you gotta get it from me.