Don Marquis Quotes
Quotes to Explore
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I've been writing a lot of poetry recently. It helps me think and work things out.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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It became clear to me in an instant that living a gay life without publicly acknowledging it is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.
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I want to work with producers who are unique and have a different sound.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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My ideal relaxation is working on upholstry. I spend hours in junk shops buying furniture. I do all the upholstery work myself, and it's like therapy.
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I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
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You don't have to buy from anyone. You don't have to work at any particular job. You don't have to participate in any given relationship. You can choose.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I go running three times a week - outside in the park, come rain or shine, and I hate every moment of it. I hate everything about it. But I know it's important for health reasons and the reason why I run, in particular, is because my stage work is like cardiovascular work so I don't want to lose my breath on stage.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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The good news is that economists are intelligent, engaging and often charming folks. The bad news is their work is often of little use to investors.
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I just like when I work with people that are professional and good.
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I work in comedy, journalism, media, and technology, many of which don't have a lot of black faces in visible positions. I walk through Brooklyn with a surfboard. It's fun to challenge and expand people's expectations.
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You playing small doesn't serve the world. There's nothing enlightening about shrinking so others won't feel insecure around you. As you let your own light shine, you indirectly give others permission to do the same.
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I'm very interested in how people in the 19th century travelled to Greece.
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When a man tells you that he got rich through hard work, ask him: 'Whose?'
