Phil Harris Quotes
If the record was picked up by Dot Records, I would imagine that they would have wanted both sides of the record to be something by Lou alone which would account for the dropping of 'So Blue'.
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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Once you give up rights, they're not going to give them back.
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When you put the pressure on yourself, it's not good. If you fight afraid to lose, you wind up not fighting that good.
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I still call Texas home. It is where I spent most of my life growing up.
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When an accident or a crime happens, there's a period of time before the yellow tape goes up, before the official response becomes formalized. That allows the nightcrawlers to get very close.
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I learned that I truly am a fighter and that I cannot give up.
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In the total expanse of human life there is not a single square inch of which the Christ, who alone is sovereign, does not declare, 'That is mine!'.
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I don't like giving up hits and stuff, but I try not to show it. I don't want the hitter to see that something bothers me.
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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
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When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
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When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world.
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Until I was five, my immediate family lived near my grandfather's farm where my mother had grown up and, with the exception of a few modern conveniences, had not changed a lot over the years.
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I never felt I had the kind of relationship with Magic that I could just pick up the phone and call him at home.
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I am introverted and a complete klutz.
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If anything is naive and lightweight, it's the traditional political conversation.
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I've written three books you could think of as memoirs.
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There is a lot of bad architecture. What we need more is to look at how our landscape should look in the next decades.
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What, after all, is mathematics but the poetry of the mind, and what is poetry but the mathematics of the heart?
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If the record was picked up by Dot Records, I would imagine that they would have wanted both sides of the record to be something by Lou alone which would account for the dropping of 'So Blue'.
