Phil Jackson Quotes
It seems like they played really hard against Sacramento, didn't they? That was their other opponent they had an option to play. It would seem like they want to choose us.
Quotes to Explore
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I'm not coming back to play.
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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I was taught to play that way when I was in high school and even before I got to high school.
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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When you are the invisible man to the head coach, the only option is to head for the exit.
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It is when we all play safe that we create a world of utmost insecurity.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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In 'Rangoon', I play an action star of the 1940s.
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It took me a lot of years on the 'Burnett' show to feel like I had earned the privilege to play in the sandbox with the grown-ups.
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The debt we owe to the play of imagination is incalculable.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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In Christian marriage, love is not an option. It is a duty.
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I also say with backbends, you have to be cautiously bold. Not carelessly bold. You have to descend to the dictation of the spine. You cannot command from the brain to do the poses. As you play with a child, guarding the child from injuries, similarly you have to play in backbends, guarding your spine.
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He can still play, he can go out there and put up numbers with the best of them. The sooner he becomes active within our system, the better it's going to be for us.
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The killjoys initiated automobile crash standards so rigorous that we can't buy a car that hasn't been dropped from the top of a phone pole with our whole family strapped inside.
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Men of perverse opinion do not know the excellence of what is in their hands, till someone dash it from them.
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It seems like they played really hard against Sacramento, didn't they? That was their other opponent they had an option to play. It would seem like they want to choose us.
