Fred Rogers Quotes
When I was a boy and I would see scary things in the news, my mother would say to me, 'Look for the helpers. You will always find people who are helping.'
Quotes to Explore
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I'm not Cinderella.
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I could work in the shower if I had plastic paper.
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I don't even own a television. I don't watch network television.
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I love morning television because it's the most vulnerable time of day, when you are at your rawest, and if I have the ability to make viewers smile, that's a gift from God.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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Being at the Apollo, I was always starstruck.
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I think, for the majority of my twenties, I was always so concerned with what I didn't have, or what I still wanted.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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I have the necessary lack of tact.
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And they just saw me on that and - from the time I was 11 until I was 12, I guess. And then when I had just turned 13, they asked me if I wanted to tour with Johnny Cash back East.
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Women are sacred.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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My family didn't have any money growing up. I'm just a girl from the ghetto; from Indio, California.
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It's all about sound. It's that simple.
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I don't think the deficit of the country is a Republican issue or a Democratic issue. I think it's a country issue. I don't think worrying about the reindustrialization of America is a Republican or Democratic issue.
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There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.
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The retired L.A.P.D. motor cops who work set security now, all wear the same uniform, they're great guys with great stories, and they're great at their job, providing security on sets.
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What I love about Tadashi is that he isn't a designer that designs only for a double-zero. He designs for double-Ds, you know? Women of all shapes and sizes can wear him.
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I'm probably proudest of being able to lift a lot of us out of the 'hood. That's the biggest thing, that I've been able to employ a lot of people and give them opportunities.
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I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.
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I try to study the background of the country I am in and what were my hits there, so I can at least give them some of what they want. It's like a wedding - give them something old, something new, something borrowed and definitely something blue!
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There's nothing fun about 30 people standing around watching you, like, pretend to pleasure someone. Nothing enjoyable about it, believe me.
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I have much to say about the pain I've felt and seen inside of prison. It has been an eye-opening and harrowing experience.
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When I was a boy and I would see scary things in the news, my mother would say to me, 'Look for the helpers. You will always find people who are helping.'
