Fred Rogers Quotes
When I was a boy and I would see scary things in the news, my mother would say to me, 'Look for the helpers. You will always find people who are helping.'
Quotes to Explore
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I'm not Cinderella.
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I could work in the shower if I had plastic paper.
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I don't even own a television. I don't watch network television.
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I love morning television because it's the most vulnerable time of day, when you are at your rawest, and if I have the ability to make viewers smile, that's a gift from God.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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I think, for the majority of my twenties, I was always so concerned with what I didn't have, or what I still wanted.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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I have the necessary lack of tact.
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And they just saw me on that and - from the time I was 11 until I was 12, I guess. And then when I had just turned 13, they asked me if I wanted to tour with Johnny Cash back East.
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Women are sacred.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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My family didn't have any money growing up. I'm just a girl from the ghetto; from Indio, California.
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It's all about sound. It's that simple.
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There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.
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The retired L.A.P.D. motor cops who work set security now, all wear the same uniform, they're great guys with great stories, and they're great at their job, providing security on sets.
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What I love about Tadashi is that he isn't a designer that designs only for a double-zero. He designs for double-Ds, you know? Women of all shapes and sizes can wear him.
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When I first came to do shows in Vegas, I followed the usual entertainer's syndrome - I played craps and lost.
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I only know what I read in the papers.
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I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.
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The biggest profit center for investment banks is the hefty fees they charge for underwriting stock offerings and giving financial advice, and analysts put those profits at risk if they publish negative conclusions about the companies that pay the fees.
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Let the workers organize. Let the toilers assemble. Let their crystallized voice proclaim their injustices and demand their privileges. Let all thoughtful citizens sustain them, for the future of Labor is the future of America.
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Of one thing there is no doubt: if Paris makes demands of the heart, then Munich makes demands of the stomach.
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Animation scripts tend to be much more descriptive and are lighter on dialogue.
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When I was a boy and I would see scary things in the news, my mother would say to me, 'Look for the helpers. You will always find people who are helping.'
