Mary Astor Quotes
Quotes to Explore
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In the movies, the writer is just the servant, the employee.
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The cutting room is where you discover the optimal length of the movie.
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I am not an autobiographical writer.
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People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
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I have an older brother who is an actor as well.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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I always knew I wanted to be a writer. I just wasn't sure what I wanted to do as a money-making job.
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Well I could have been just a writer. I had been a hair dresser. I could have stuck with that.
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The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
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I'm a storyteller, and I was an actor, so I have a fairly thin grip on reality to begin with.
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Some of the biggest movie stars in the world are essentially characters.
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I'm no actor, and I've got 64 pictures to prove it.
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I like the fact that this kind of family has been seen in a movie a million times: teenage kids, the family is a bit strained and they don't have enough money, but in the background the guy used to be a Gene Simmons type.
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In America there's no way I can make the kind of movie I like to make.
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My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
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I wanted to be an actor when I saw the movie 'Die Hard.' I saw Bruce Willis shooting guns and blowing stuff up, and I thought, 'I wanna do that.' It really had nothing to do with acting; I just wanted a job that allowed me to do fun, bigger-than-life stuff.
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I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
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Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.
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Poetry is about the grief. Politics is about the grievance.
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I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
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I'm part wood nymph. I require mountains and warm, dense patches of moss to thrive.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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A painter paints, a musician plays, a writer writes - but a movie actor waits.
