Mary Beard Quotes
One of the downsides of working in antiquity is that you don't have many female voices, but you certainly have a lot of male terror about the potential of women's power. It shows you very clearly that the most oppressive cultures tend to be afraid of those whom they oppress.
Quotes to Explore
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I started calling myself the Pied Piper, when I started using the flute sound in my music.
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I live on the same street as my family, actually. I live across the road. I'm a real family person!
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Despite the obvious benefits, many Americans do not like Texas. Some even say they despise Texas, and make no secret of their feelings.
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When I was 14, I was a passenger in a terrible accident.
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I congratulate you, my fellow-citizens, upon the high state of prosperity to which the goodness of Divine Providence has conducted our common country.
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Being a model, you're always the product of somebody else's vision.
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But I'm not objective when I'm acting.
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I knew that for this movie to work it had to be very hot and very real, and it wasn't going to be a case of doing it Hollywood all covered with a nice little sheet.
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I think great players can play in any year, that's why they're great. A lot of it is down to the mental approach.
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The clever cat eats cheese and breathes down rat holes with baited breath.
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I've made a decision and now I must face the consequences.
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My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
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It couldn't have happened anywhere but in little old New York.
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A reviewer once commented that my urban fantasy novels were paced more like epic fantasy, in that they relied on complex world-building and a gradual immersion in the lives of the characters.
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Ale, man, ale's the stuff to drink for fellows whom it hurts to think.
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The friends I knew who tutored were well paid for work that seemed far less grueling than waitressing or late-night newspaper copy editing or all the other side gigs I attempted in my early twenties.
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There is always going to be a little bit of me in each character.
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The important thing is to build up my cardiovascular system, so I have the stamina to do stunts. To me, stepping over the line, taking a chance and succeeding is the ultimate freedom, be it in rock and roll or when executing a really challenging routine.
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Conflict is the beginning of consciousness.
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My breakdancing crew used to go to the mall and squat a piece of cardboard there; we had our jam box, and I'd spin on my head and make about forty bucks a day, which was pretty good back then. I was only 14 years old, so I would chase the girls around the mall and eat some pizza and have some change left over.
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Robert Redford was an absolute blast to work with - a very smart, very charismatic man.
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Even random differences in pay lead to the backward inference of differences in skill and hence to the development of unequal influence. It's an element of personal and office dynamics that can't be ignored.
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I grew up learning to do more with less.
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One of the downsides of working in antiquity is that you don't have many female voices, but you certainly have a lot of male terror about the potential of women's power. It shows you very clearly that the most oppressive cultures tend to be afraid of those whom they oppress.
