Donald Miller Quotes
It wasn't necessary to win for the story to be great, it was only necessary to sacrifice everything.

Quotes to Explore
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Luck marches with those who give their very best.
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I always tell people I went to the Harvard School of Comedy in front of America.
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I don't look at myself as suffering.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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One of the things I like best about the Halloween show is that I change outfits about six times in the show. It is a lot of fun to play the different characters.
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I didn't work for Jimmy Carter all those years to go to cocktail parties. I was there as a political adviser, a short-order cook, to work on topical matters.
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After working so hard on the court, I find that snacks help me avoid late-afternoon energy lows.
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No flying machine will ever fly from New York to Paris.
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We must keep both our femininity and our strength.
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I have always thought that writers come with any variety of attributes. Some are capable and some aren't.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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My mother giving birth to me was just like Lady Sybil giving birth, except that there wasn't such a tragic ending.
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Honour sinks where commerce long prevails.
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I kinda went through a semi-depression. Honestly. Like, I lost myself.
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I asked my mother could I have an instrument. She said, 'Well if you go out and save your money.' So I went and got - I made me a shine box. I went out and started shining shoes, and I'd bring whatever I made.
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I already am a product.
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No one ever chats me up; I think they all think I'm taken. Either that or no one fancies me.
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It's important to have people around you with enough confidence to say if you are not acting in a good way. Normally, when you are at the top, people say everything is fantastic. Probably in that moment it is what you want to hear, but it's best to be reminded how to act properly.
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Like many Americans, I am still haunted by images from the last days of the United States' withdrawal from Vietnam in 1975. Newscasts showed South Vietnamese desperately trying to scale the walls of our embassy in Saigon to board the last helicopter flights out of the country. The fear in their eyes was chilling.
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In the studio the director controls the actor's every move, every inflection, every expression.
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I served in the state Senate for six years with retiring Gov. John Lynch. During that time, we had the fourth-lowest unemployment rate in the country.
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You have a plantation where you have 10 white people and you have about 50 or 60 black people. The automatic thought was, 'Why didn't they raise up? Why didn't they overpower? They had the numbers.' But really these people, their hope was broken. Their sense of love was broken. Their appreciation for who they were was broken.
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There's something about guitars, they're just so big, you know what I mean? You're just like, 'Ugh!' It just seems so overwhelming. And the ukulele is, like, the opposite of overwhelming.
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It wasn't necessary to win for the story to be great, it was only necessary to sacrifice everything.