Donna Karan Quotes
When I started Donna Karan, people weren't really accepting the idea of the working woman.
Quotes to Explore
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I wanted my children to have the same exposure to the water I had. My strongest memories of Northeast Harbor are going in a small Whaler with my dad, looking for osprey.
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I'm not an A student; I'm not even a B student, but I've gotten a lot better with the reading because of texts. And I can voice-text and say whatever I want to people.
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I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.
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I can't conceive of cooking in a sunny place like Florida because my motivation comes from the changing seasons. That's why I decided to live in New York.
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I've had self-esteem issues for a really, really long time. Plenty of people think I'm ugly, and plenty of people don't. But there's a moment when I'm modeling where I forget about my self-esteem issues and focus on what the photographer's telling me - and I feel pretty. And in that sense, it's selfish.
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In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
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I want to be able to make people laugh and cry and feel happy or sad and feel all these different emotions through singing and acting. Hopefully throughout my career, I'll get to pursue them.
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By taking responsibility for how you choose to respond to anything or anyone, you're aligning yourself with the beautiful dance of life.
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A strong accountability system needs to broaden, not narrow, the curriculum. That cannot happen if you only have accountability without adequate school funding. Until Tallahassee understands the need to raise the bar as well as the financial investment, Florida will continue to celebrate mediocrity at the expense of true achievement.
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I love work where I can find out more about the world and its history.
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Whatever people thought the first time they held a portable phone the size of a shoe in their hands, it was nothing like where we are now, accustomed to having all knowledge at our fingertips.
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I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio.
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A ton of little girls I talk to, they want to be actresses or singers or models.
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Hollywood's all about, 'Let's make this easy: This is what you do, so you go over here in this group, and we're not gonna call you.'
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And my friends, you ain't seen nothin' yet.
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In the twentieth century one of the most personal relationships to have developed is that of the person and the state. It's become a fact of life that governments have become very intimate with people, most always to their detriment.
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I am not going to say much about the film 'Maidentrip,' but I won't be representing it, as I am not fully standing behind it.
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In India, nobody really talks about works of art; they always talk about the appreciation of art. You buy this for 3,000 rupees, it'll become 30,000 in two months.
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I think as much as possible, an artist, if he has any kind of social or political concern, has to…expose as much as possible what he sees so that some people think about things that they don’t normally think about… [Art] should be something that liberates the soul, provokes the imagination and encourages people to go further.
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When I made 'Hard Boiled,' I had no idea that it would be released to an international audience. I just wanted to make a film to team up my two favorite actors, Tony Leung and Chow Yun-Fat.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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I think understanding is the way to gain perspective - and therefore can live among those hideous realities. You can live with them.
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When I started Donna Karan, people weren't really accepting the idea of the working woman.
