Donna Lynne Champlin Quotes
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I would absolutely love to do a revival of 'Bury the Dead' by Irwin Shaw on Broadway, but it would have to be Joe Calarco's version that we did Off-Broadway at The Transport Group in 2008. It was just one of those amazing shows that didn't run long enough and not nearly enough people got a chance to see.
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About six months after I moved to New York City, I was literally down to my last twenty dollars when a friend of mine from college got me a job at an Upper East side gym. I ran the cafe, and I was the janitor. It was an unfortunate combination of duties, to say the least.
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As a gold-card-carrying member of the nerd herd, I'm usually in the artsy, fringy, PBS-y kind of shows that change maybe five people's lives forever while leaving everyone else wondering if they can still make the ticket lottery at 'Wicked.'
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It's so much worse to live in regret in your forties than it is to take a chance in your late twenties.
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One of the most amazing things about 'Crazy Ex-Girlfriend' is that every song is an original. There are no covers. I think 'Glee' had to deal with forcing covers into their plotlines. That can be difficult to pull off.
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My first job ever was selling balloons with my brother at parades when I was about six years old. My father wanted us to learn about money, how to make it, save it, spend it, etc.
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It seems the more I play Jane Austen, the more poetic my writing becomes. The other day, I left a Post-it note for my husband that had the word 'ergo' on it. I gotta rein it in before I get all full out Madonnannoying.
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The people who succeed are those who are aware of the rules; they respect the rules. But they make up their own rules. They create for creative sake.
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I don't usually see my type for on-camera stuff as a series regular. Normally, my type is the janitor, the secretary, the cop, or the nurse.
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I decided to make a CD that I would enjoy listening to. So I would finish a song and sit there, and I would say, 'What song, of all the songs I know, would I like to work on now? What song would make me happy?' And that's how I picked the songs.
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No matter who you are, and no matter what you've accomplished, I have yet to meet someone who doesn't still feel like they're banging their head against some wall over something in their way.
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A musical, in its true form, is where emotions reach a height where true spoken word cannot be enough, and you must sing. That's all it is. It's not posh; it's not out of your reach. It's the most visceral way to tell a story.
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Support women directors. When a play opens, and it's by a woman, put your money down.
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If you miss something in the theater, you are working through it; you'll get it tomorrow. It's easy to forgive yourself in the theater. On television, you do one shot. All you've done rehearsal-wise is be blocked. There is all this pressure to get it right then.