Donna McKechnie Quotes
When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
Quotes to Explore
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I'm from Maine. I eat apple pie for breakfast.
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It was very unusual, because normally the producer requests the test to determine whether they want to hire someone or not. Olivia was concerned about playing a seventeen year old.
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I'm always shocked when I see myself because I don't recognize myself.
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I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.'
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Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.
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Vilification on the grounds of race or religion is always wrong. There's no place for inciting hatred within our Australia society.
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I would think about the outcome. Visualize sometimes. Because it never comes out the way you want it to. Fight the way I know how to fight. Whatever comes up, comes up.
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I just started making Bloody Marys. I always thought they looked gross, then I tasted one. There's an art to it, from the Tabasco to the Worcestershire.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.
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In this case, the particle formed has correspondingly less energy, whereas the product nucleus passes into the ground state with emission of the quantity of energy saved as gamma radiation.
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You'd be surprised how addicting high self-esteem is.
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Photography, painting or poetry – those are just extensions of me, how I perceive things; they are my way of communicating.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
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I felt like the country lays out like a pretty beautiful story itself, heading from the East Coast to West.
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I love Saturday nights with my best friend and a big bowl of pasta, wanting a good scare, something that will say, 'Listen, your life is not as bad as this. Your life can be so much worse.'
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Each new generation needs to commit again to the foundations of our peaceful coexistence.
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My transactions are above board: I do not have money deposited in other accounts and have transparently declared all assets. My real wealth is, however, my experience as cofounder of Infosys and as Aadhar Chairman, which gave away 60,000 crore identity cards to people of India as promised.
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Asbury Park's a special place for me. It's where I really began playing.
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The problem with feature filmmaking is that it offers you this mirage of being able to achieve perfection, as the theory of it is that you have control of every part of the film, though in reality, it is as inexact as the next thing in your life.
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'Come on boy, get up.'
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My ability to bring different characters to life is what has helped me advance in my career, and I would say as far as looks are concerned, well, I suppose that would be the icing on the cake, but acting comes first and foremost.
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When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
