Donna McKechnie Quotes
When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
Quotes to Explore
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I'm from Maine. I eat apple pie for breakfast.
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It was very unusual, because normally the producer requests the test to determine whether they want to hire someone or not. Olivia was concerned about playing a seventeen year old.
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I'm always shocked when I see myself because I don't recognize myself.
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I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.'
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Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.
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Vilification on the grounds of race or religion is always wrong. There's no place for inciting hatred within our Australia society.
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I would think about the outcome. Visualize sometimes. Because it never comes out the way you want it to. Fight the way I know how to fight. Whatever comes up, comes up.
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I just started making Bloody Marys. I always thought they looked gross, then I tasted one. There's an art to it, from the Tabasco to the Worcestershire.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.
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In this case, the particle formed has correspondingly less energy, whereas the product nucleus passes into the ground state with emission of the quantity of energy saved as gamma radiation.
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You'd be surprised how addicting high self-esteem is.
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Any powerful technology can be abused.
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Photography, painting or poetry – those are just extensions of me, how I perceive things; they are my way of communicating.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
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I felt like the country lays out like a pretty beautiful story itself, heading from the East Coast to West.
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I love Saturday nights with my best friend and a big bowl of pasta, wanting a good scare, something that will say, 'Listen, your life is not as bad as this. Your life can be so much worse.'
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Each new generation needs to commit again to the foundations of our peaceful coexistence.
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Only while sleeping one makes no mistakes. Making mistakes is the privilege of the active—of those who can correct their mistakes and put them right.
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Looking back now at my first World Cup experience, I didn't know what was going on. I was a newbie and I had no idea what to expect.
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Did I want Britain to remain in the E.U.? Yes. Did I fear the consequences if we quit? Yes. Did I argue passionately for that during the referendum? Absolutely I did.
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I did a commercial for a phone company when I was five. But my first big thing was when I was eight. I was on the first season of 'E.R.'
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We have done a lot of work on cost reduction, getting ourselves lean, reducing our breakeven, reducing our fixed cost and increasing exports. All of these factors help because our export basket is not just automotive but also includes industrial products, railways and others.
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When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
