Donna McKechnie Quotes
When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
Quotes to Explore
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I'm from Maine. I eat apple pie for breakfast.
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It was very unusual, because normally the producer requests the test to determine whether they want to hire someone or not. Olivia was concerned about playing a seventeen year old.
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I'm always shocked when I see myself because I don't recognize myself.
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I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.'
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Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.
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Vilification on the grounds of race or religion is always wrong. There's no place for inciting hatred within our Australia society.
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I would think about the outcome. Visualize sometimes. Because it never comes out the way you want it to. Fight the way I know how to fight. Whatever comes up, comes up.
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I just started making Bloody Marys. I always thought they looked gross, then I tasted one. There's an art to it, from the Tabasco to the Worcestershire.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.
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In this case, the particle formed has correspondingly less energy, whereas the product nucleus passes into the ground state with emission of the quantity of energy saved as gamma radiation.
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You'd be surprised how addicting high self-esteem is.
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Any powerful technology can be abused.
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Photography, painting or poetry – those are just extensions of me, how I perceive things; they are my way of communicating.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
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I felt like the country lays out like a pretty beautiful story itself, heading from the East Coast to West.
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I love Saturday nights with my best friend and a big bowl of pasta, wanting a good scare, something that will say, 'Listen, your life is not as bad as this. Your life can be so much worse.'
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Each new generation needs to commit again to the foundations of our peaceful coexistence.
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Every action is either strong or weak, and when every action is strong we are successful.
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A lot of films come out before they're finished.
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If you want to know whether soccer is big in America, pick a weekend, go to any park in the land, and pay attention. We're there. We've always been.
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Which is the greater wrong? To hurt the unforgiving one, or hurt the one who has forgiven all?
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When somebody walks into a room they give off a certain kind of vibe or whatever and at that point that's how you're going to cast them.
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When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
