Donna Mills Quotes
I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.
Quotes to Explore
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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If you pick the right people and give them the opportunity to spread their wings and put compensation as a carrier behind it you almost don't have to manage them.
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Angulo presents a difficult challenge because he's a fighter who can punch and take a great punch.
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You have to interpret what's hot to make it work on yourself. If tweed suits are in, but you're not a suit kind of girl, wear the jacket with jeans and a pair of Converses.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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The work environment on 'Battlestar Galactica' is unbelievable, and it's something that doesn't come along very often.
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If you're on a road trip, you need driving music.
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I believe the Thai people are patient, and the people at least give me a chance to prove my ability to help them.
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I use iTunes for downloading music, but I always decline when prompted to update this or that new version.
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I am not going to say much about the film 'Maidentrip,' but I won't be representing it, as I am not fully standing behind it.
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When you are poor, you'll have to think of ways to be better off.
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The easiest way around the bases is with one swing of the bat.
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I prefer to make movies which not only have a message for 'then' but a message for 'now.'
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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I'm known as a kind of dramatic, serious, almost humorless actor and the fact is, I'm a funny guy, and I spend most of my life trying to find a lighter side of things, and on stage was given plenty of opportunity to do that.
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I was definitely nervous for the combine. You train for three months to go out there and perform for three days.
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He looked like something that had gotten loose from Macy's Thanksgiving Day Parade.
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Lose your mind and come to your senses.
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You must keep your mind on the objective, not on the obstacle.
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You try to make them comfortable so they can do what they're best at, and make them shine. You always want to make an actor shine. I'm of the mind that there's no one - you, your mother, anyone, that if in the right place at the right time in the right context, couldn't shine in a movie. And so if it means, "Oh, I have to make them uncomfortable," then whatever it takes to get what I need up onscreen. It's all in the service of the story.
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Religions work for their own aggrandizement - strengthen the church and so on - and they use reinforcers of one kind or another to get obedience and so on from their communicants.
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I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.
