Donna Mills Quotes
I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.
Quotes to Explore
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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If you pick the right people and give them the opportunity to spread their wings and put compensation as a carrier behind it you almost don't have to manage them.
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Angulo presents a difficult challenge because he's a fighter who can punch and take a great punch.
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You have to interpret what's hot to make it work on yourself. If tweed suits are in, but you're not a suit kind of girl, wear the jacket with jeans and a pair of Converses.
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I do not have the angst and the anxiety of my youth. I've gotten to a place where I'm very comfortable with who I am.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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The work environment on 'Battlestar Galactica' is unbelievable, and it's something that doesn't come along very often.
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If you're on a road trip, you need driving music.
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I believe the Thai people are patient, and the people at least give me a chance to prove my ability to help them.
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I use iTunes for downloading music, but I always decline when prompted to update this or that new version.
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I am not going to say much about the film 'Maidentrip,' but I won't be representing it, as I am not fully standing behind it.
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When you are poor, you'll have to think of ways to be better off.
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The easiest way around the bases is with one swing of the bat.
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I prefer to make movies which not only have a message for 'then' but a message for 'now.'
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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I'm known as a kind of dramatic, serious, almost humorless actor and the fact is, I'm a funny guy, and I spend most of my life trying to find a lighter side of things, and on stage was given plenty of opportunity to do that.
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Art, although produced by man's hands, is something not created by hands alone, but something which wells up from a deeper source out of our soul.....My sympathies in the literary as well as in the artistic field are drawn most strongly to those artists in whom I see most the working of the soul.
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I think I am more determined than ever in my future plans, and I have quite made up my mind that nothing must be suffered to interfere with them. I intend to make such arrangements in town as will secure me a couple of hours daily (with very few exceptions) for my studies.
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At no point did I ever doubt I would be as near as anybody could be to England's Elvis Presley. Even from eight or nine years old, I thought, Well, I'll be the greatest rock star in England. I just made up my mind.
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I think I just have a natural operatic aesthetic. I can't help it.
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For mere vengeance I would do nothing. This nation is too great to look for mere revenge. But for security of the future I would do every thing.
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I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.
