Donnie Wahlberg Quotes
I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.
Quotes to Explore
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If conservationists will attempt to resume responsibility for their need to eat, they will be led back fairly directly to all their previous concerns for the welfare of nature.
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The irony is that Washington was, in reality, very much like Benedict Arnold. The big difference was that Washington was ultimately able to control his emotions, something Arnold never learned to do.
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Number 4 should have been number 1. Thanks, Honey.
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If you look at the scientists who really make a difference, they think boldly. They're not afraid to question what they see.
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I always knew I would make the record that I made in 'Carter Girl.'
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I support allowing homosexuals to serve openly in our military and eliminating the 'don't ask, don't tell' policy.
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In my novels, there are twelve ancient 'memory tools,' all now lost. Each of the 'Reincarnationist' books revolves around a different tool.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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Investing in gold is one of the wisest decisions that you can make as an investor.
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The relationship with time changes when you're captive.
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There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page.
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I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
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I don't want to make games for 12-year-olds. I have no interest in that. I haven't been 12 in a long time.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
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Basically, my idea and explorations on fashion have not changed; however, I believe I'm going state-of-the-art on fashion.
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I went through a lot of phases and studied many religions. I am not into religion, I am spiritual.
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When you sample something, you're using the crutch of borrowing chords and melodies from a song that's already great, that's already stood the test of time, that's already special. When you're trying to do it all from scratch, you're writing something brand new that has to stand on its own.
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An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.
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We like movies that are going to have a great sense of fun and thrill to them while at the same time remain very grounded in relatable human emotions and conflicts that the audiences can get behind and root for and empathise with.
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Well, there's a morality in that you want your work to be good, I suppose.
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It's true that every leader needs followers. We can't all be nonconformists at every moment, but conformity is dangerous - especially for an entity in formation.
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Peter Jennings came to us and said to make a PSA, 'Let's Talk About AIDS.' But I was naive about how the virus is contracted - until Magic Johnson came out. I'd stereotyped it, thinking it was a gay disease, a white man's disease.
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I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.
