Dorothy Dunnett Quotes
Quotes to Explore
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You can never plan the future by the past.
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One's past is what one is. It is the only way by which people should be judged.
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My works are an imitation of my own past and present.
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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I wish I had the billions of dollars that George Soros has that he has used to fund Democratic causes in the past.
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I think one's history and past is important at a certain time in your life, especially as an artist, just to try to hone in on that.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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It takes leadership to improve safety. And I started off the movement in my time, but the person who has done more over the past 20 to 30 years and who has led it is Professor Sid Watkins.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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I'm so suspicious of our own understanding of the past. I just think that your mind plays absolute tricks on you and fools you every minute of every day. And so when you're talking about the past, you're talking about something that never happened. At least it didn't happen the way you think it happened.
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In the past, on Earth, it has largely been to exploit foreign resources and to expand the domestic territory.
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The past is what you remember, imagine you remember, convince yourself you remember, or pretend you remember.
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In the not so distant past, we were close enough to our community to physically see how our actions impacted the group overall. Now it's just too easy to look the other way, or turn off the TV or computer and detach ourselves from the others.
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The man of the future may, and even must, do things impossible in the past and acquire new motor variations not given by heredity.
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One of the most unsettling things about 'Monologue' is its long silences, in which the man sits alone, staring into the middle distance, without grip of his narrative, lost to the past.
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I don't believe in cutting out people from the past. It doesn't give strength; it just gives loneliness.
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In a basic sense, 'A Little Life' is a homage to how my friends and I live our lives. I wanted to push past the definitions of how we typically define friendship. It's a different version of adulthood, but it's no less important and no less legitimate than anyone else's.
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Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
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...In the past, as now, [Hollywood] was a stamping ground for tastelessness, violence, and hyperbole, but once upon a time it turned out a product which sweetened the flavor of life all over the world.
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I'm not the type of person who likes to look backwards. I've always felt compelled to move forward and I've never been one to dwell in the past. All the people I've met, all the places I've been, and all the things that I've done have simply been part of who I am.
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Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.
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The fascination for the Great Train Robbery has never diminished.
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I'm the sort of actor who doesn't really prep a lot - I don't do a lot of research for parts. I just go for it, and I usually pull through.
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Where are the links of the chain ... joining us to the past?
