Dorothy Fields Quotes
The songwriter mustn't fall in love with his own song. If it doesn't belong, he can't push it into a show. Let him save it; maybe it'll fit in another show.
Quotes to Explore
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I close my eyes when I sing so I can feel the song better.
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If I had undertaken the practical direction of military operations, and anything went amiss, I feared that my conscience would torture me, as guilty of the fall of my country, as I had not been familiar with military tactics.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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Fain would I climb, yet fear I to fall.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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One trap you can fall into when playing someone iconic is to end up doing everything in an iconic way, no matter how pedestrian or mundane that thing is.
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We all wish to live. We all seek a world in which men are freed of the burdens of ignorance, poverty, hunger and disease. And we shall all be hard-pressed to escape the deadly rain of nuclear fall-out should catastrophe overtake us.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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I never considered myself a fall guy. I know what I did. I know why I did it. I'm not ashamed of it.
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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I sort of fall in love with every character I do; you have to understand how they became what they've become, whether they're the ugly kind or the very beautiful kinds of characters.
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The metaphor I've used is... somebody's going to push my family off a cliff pretty soon, and I won't be there to catch them. And that breaks my heart. But I have some time to sew some nets to cushion the fall. So, I can curl up in a ball and cry, or I can get to work on the nets.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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One way in which 'Friends' did resemble 'Seinfeld' is that it really found its audience over the summer of 1995 in reruns. That's when the main title song, 'I'll Be There for You', by the Rembrandts, exploded, too.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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You've got to have a villain and they'll always make me a villain. I'm used to it – it makes me work harder and it makes me fight harder.
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The very genetic determinism I posited in World's End as a way of shaking off my inherited demons is being proven in fact as we map out the human genome.
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I was a nervous young man. I wanted to do so many things. And I was so enthusiastic and earnestly in love with so many things that I tried too hard. I tried really, really hard. And I made a lot of mistakes. I was afraid of a lot of stuff. And I kind of feel bad for that person I was.
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If you examine this, I think that you will find that it's the mechanics of Japanese architecture that have been thought of as the direct influence upon our architecture.
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The songwriter mustn't fall in love with his own song. If it doesn't belong, he can't push it into a show. Let him save it; maybe it'll fit in another show.
