Dorothy Fields Quotes
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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It took a long while for me to even put out a record because there were so many options of how to do a song, and in some respects, I'm never totally happy with the outcome.
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Songwriter friends will be like, 'Oh my God, when are you going to put out 'Love Triangle?'' It's just been that song for me that really helped me get a lot of writing sessions and helped jump-start my writing career.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
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There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
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I never have any problem getting enthusiastic with a good song and a good band.
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You want to reach people, but you also want to reach them in the most authentic way. You now have a mass market and an audience that's listening, but they're in love with a song that means absolutely nothing to you.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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From another side: is Achilles possible with powder and lead? Or the Iliad with the printing press, not to mention the printing machine? Do not the song and saga of the muse necessarily come to an end with the printer's bar, hence do not the necessary conditions of epic poetry vanish?
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No, I'm not adopting any children.
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I've been fortunate and blessed to further my career in the Arena Football League, and I've had a good time doing it.
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Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid sort of way to be a writer, I think.
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Dullness is a misdemeanour.
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A rhyme doesn't make a song.
