Dorothy Leigh Sayers Quotes
Quotes to Explore
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From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
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I was a hot-dog stand lady, I was an orphan housemother, I was a waitress 3 or 4 times. All of those jobs did not have good bosses. They basically told you what to do, when to do and when to hop. And I just didn't like that very much.
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I don't really look forward to movie stardom or doing a $200-million movie or winning an Academy Award.
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We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students.
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That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
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Actors don't have real value.
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I really like knowledge and reading books and just generally immersing myself in information.
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Being gay immediately placed me outside the values of the society I was growing up in. Apartheid was a very patriarchal system, so its assumptions seemed foreign to me from the outset. I've always had the advantage of alienation.
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Yet there are thousands of Indigenous people searching for family members.
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I often feel that when people have affairs, it has more to do with something they're searching for in themselves than anything else.
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I remember being about eight and watching 'Pollyanna' with Hayley Mills. I looked at my mum and said, 'Mum, I want to be Pollyanna.' She said, 'You're going to have to make yourself cry if you want to be an actress.' So I turned my head away, and when I turned it back I was in floods of tears.
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In the struggle against sexual discrimination on Wall Street, Pamela K. Martens is a latter-day Rosa Parks - a woman who, metaphorically speaking, refused to sit in the back of the bus.
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I have always been, and shall continue to be, honest when it comes to bodyweight issues.
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I say that I represent this movement because my intellectual allegiances are clearly European, not African.
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I completely took off my eyebrows one time for a screen test. I hadn't even gotten the role yet. So you have to have a commitment.
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The best decision I ever made, period, was to get into the music business.
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So, while I gave up the notions of publishing at that time, I never stopped editing and refining that book. A few years later, in 1987, I thought I had it ready to go out again.
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Have the pride of the brown girl and know that you'll figure out your own beauty in time.
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In those years of the Fifties, in London and New York, I lived, without knowing it, in a time when the profoundest changes were happening: when a radical alteration was getting ready to happen in the way a society saw young girls. And, as a consequence, in the way they saw themselves.
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I look at a nude. There are myriads of tiny tints. I must find the ones that will make the flesh on my canvas live and quiver.
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I remember I was walking through a store, and I saw clothes a 25-year-old would wear. And the conversation in my head was, 'I'm not young and fabulous anymore.' But, immediately, there was a voice that said, 'No, you can be older and fabulous.' In other words, still just as fabulous, but in a different way.
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No man has the right to use the great powers of the Presidency to lead the people, indirectly, into war.
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Both of my grandfathers fought in the Second World War, and my great-grandfather died at the Somme in the First World War. I never truly believed that the War just finished and everyone was happy-clappy, brought out the bunting, and felt everything was okay again. That's definitely not my impression of the fall-out of war.
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If it were not for the war, this war would suit me down to the ground.
