Doug Liman Quotes
I've always been interested in giving the audience a first-person experience in my movies.
Quotes to Explore
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I believe in giving back.
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Suggest your children try tithing - giving 10 percent of their allowance to a charity every month.
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I think everyone should approach relationships from the perspective of playing it straight and giving someone the benefit of the doubt. Until he establishes that this is a game. And if it's a game, you need to win. The best thing to do is just walk away from the table.
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Many past products advertised in old publications can be profitably promoted all over again. Sometimes, just by giving them a new twist or modern application, you'll hit a real winner.
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To write our constitution is for the past, the present, and the future to come together all at once in one single motion, in one single heave, one single cry. For we correct the errors of the past and chart a new course for the future, based on the experience of the present.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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If your faith is opposed to experience, to human learning and investigation, it is not worth the breath used in giving it expression.
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The years teach much which the days never know.
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I wish the press were paying more attention to the erosion of the Constitution and the slippery slope that we're getting into, by giving up the right of the Congress to talk about when and how and where we go to war.
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It'll be interesting to raise kids in New York City. I'm from suburbia, so I don't really have any experience with what it's going to be like here.
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God cannot be realized through the intellect. Intellect can lead one to a certain extent and no further. It is a matter of faith and experience derived from that faith.
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What really interests me is how a woman who has had a bad experience with a man comes through it and gets a new life. I feel you have to be positive. You have to say, 'Look, okay, he's ditched you, but there's life after.'
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Experience is simply the name we give our mistakes.
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By preventing pneumonia and other diseases, we are giving men, women and children the chance to live healthy productive lives and participate in the global economy. In doing so, we are not only enhancing their futures - we are enhancing our own.
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Looking back, I've always enjoyed hearing about the lives of other people, their experience through their jobs, their lives, and their children. It's always been a treat to hear about others.
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Shooting at Coco Chanel's apartment was an unexpectedly absorbing experience. The essence of Chanel is firmly rooted there in all of her possessions, and I truly believe that her spirit and soul still inhabit the second floor.
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'Red Knot' is a film that I shot in Antarctica almost three years ago on a boat. It was a film that was improvised and it had very interesting circumstances while making the film, obviously. We were on a small boat bobbing around in Antarctica. It was a really remarkable experience.
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I haven't written about an immigrant experience because I haven't experienced that before and am focused on existential themes.
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It's very interesting how life imitates art, and art imitates life; I find, whenever I read scenes of some magnitude, I'm like, 'Oh, I feel like I've experienced this,' or 'I am experiencing this,' or 'I might start to experience it soon.'
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I am no longer sure that when I go out there and do my job it'll even see the light of air, if the experience of my network colleagues is anything to go by.
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A bad love experience is no reason to fear a new love experience.
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Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.
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I've always been interested in giving the audience a first-person experience in my movies.
