Doug Liman Quotes
Quotes to Explore
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Even when we have physical hardships, we can be very happy.
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The beauty of kids is they don't care who you are, which is why people like the Obamas like them so much - they treat them like normal people.
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Nevertheless, there is another threat on the horizon. I see this threat in environmentalism which is becoming a new dominant ideology, if not a religion. Its main weapon is raising the alarm and predicting the human life endangering climate change based on man-made global warming.
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After spending three years of my life looking into this, I am more convinced than ever that the U.S. government's responsibility for the drug problems in South Central Los Angeles and other inner cities is greater than I ever wrote in the newspaper.
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I've got quite a good poker face. I'm known for being able to keep my emotions very much in check: no one knows how I'm feeling. I can be winning or losing but keep it very much the same.
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I have the necessary lack of tact.
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Frankly, we actresses are so much in a hurry. We feel we have very few years to shine in our career, so we neglect our personal life. But for me, both aspects are equally important. I don't want to grow old and have regrets.
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I'm definitely not a super great guitarist. Ultimately, I just write a lot of love songs.
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The key to fashion is, you don't want to look like you're trying. You've gotta be natural.
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From lies to forgeries the step is not so long, and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.
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Once you've built the big machinery of political power, remember you won't always be the one to run it.
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Certainly, grades only matter so much when you're in Hollywood. But I became an utterly motivated, devoted, committed student. I was a good student because I was convinced that it would somehow help me in my quest to become a filmmaker.
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I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
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I was an intern on a film called 'The Long Walk Home.'
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Among the rednecks of America, which there are many more than people seem to realize, it was terribly damaging. I got blamed for O.J.'s acquittal.
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'House of Cards' opened some doors. I've been able to tackle some diverse stories and characters.
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I have never been a believer that nice clothes should only be for people with money.
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If I had really cared as I thought I did about the sorrows of the world I should not have been so overwhelmed when my own sorrow came- I thought I trusted the rope until it mattered to me whether it would bear me, now it matters and I find I didn't.
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New York is one of those places people tend to derive a sense of identity from - as if, were to you to remove them from the City, they'd turn limp and colorless.
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Sometimes, when you see the newspaper and you read something I said, you say, 'Oh, I can't believe he said that.'
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This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young. It's not an intellectual cinema in America.
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'North by Northwest' was a big influence for 'The Bourne Identity.'
