Douglas Coupland Quotes
Is feeling nothing the inevitable result of believing in nothing? ...I thought it would be such a sick joke to have to remain alive for decades and not believe in or feel anything.
Quotes to Explore
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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I live in a landscape, which every single day of my life is enriching.
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I skate to where the puck is going to be, not where it has been.
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It is absolutely critical for competitiveness in the United States for us to really raise the bar in education, especially in math, in science, in technology.
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I think the silences we have on some issues are inductive of the fact that we need to write about them more, but I think there are some issues you have to write in a sensitive way and in a way that respects the reality of the situation. If you can't do that, you should leave them alone.
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You ask any person in the U.S. and they know who Mary Lou Retton is.
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The market for local advertising is in the billions.
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A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
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You don't actually have control of the position people want you to be in. If they say, 'You king of the blacks,' you're king of the blacks - whether you like it or not.
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Social media is interesting. It helps me connect with fans. It's immediate. It's a big part of my touring business - getting the word out via Twitter, Facebook, and Instagram.
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What drew me towards team sport were the camaraderie and friendship. The chance to celebrate victory and success with a group of other people is something I have enjoyed doing.
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Fashion has this youth mania. But 70-year-old ladies don't have 18-year-old bodies, and 18-year-olds don't have a 70-year-old's dollars.
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Forty-five years ago, when I was 18, I came to San Francisco by boat and took two weeks to get here. I had a great impression. I think San Francisco is the welcoming gate for people from Asia.
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I'm quite British; I've got big, flat feet, and I can't wear heels. I've got very, very pale Celtic skin, so my legs are always a frightening blue color. So when you take out clothes that reveal your legs, shoes that have any kind of heel, no shop will actually take my money.
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I have very eclectic tastes.
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We're headed towards a fascist economy in which you have big government, big corporations and big labor, and they're all in cahoots to strangle the entrepreneur.
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For me, it's not necessarily interesting to play a strong, fearless woman. It's interesting to play a woman who is terrified and then overcomes that fear. It's about the journey. Courage is not the absence of fear, it's overcoming it.
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I eat the same foods almost every day. I have my favorites like Filipino beef broth, chicken soup with lots and lots of rice.
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A lovely nook of forest scenery, or a grand rock, like a beautiful woman, depends for much of its attractiveness upon the attendance sense of freedom from whatever is low; upon a sense of purity and of romance.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
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Natural disasters are terrifying - that loss of control, this feeling that something is just going to randomly end your life for absolutely no reason is terrifying. But, what scares me is the human reaction to it and how people behave when the rules of civility and society are obliterated.
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23andMe is pleased to bring public funding to bear on data and research driven by the public - our more than 180,000 customers.
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Is feeling nothing the inevitable result of believing in nothing? ...I thought it would be such a sick joke to have to remain alive for decades and not believe in or feel anything.
