Douglas Wilson Quotes
Quotes to Explore
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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Books are the heart of any home, and I spend hours going through books for design inspiration.
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Borderline embarrassing fact: I used to have a pseudo line when I was seven called Zizzy Fashion. I love clothing, and I would eventually like to design as well as act.
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No man should ever lose sleep over public affairs.
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The only important thing about design is how it relates to people.
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When you buy things that are expensive, like a sofa or something that really feels like an investment, you need to keep it as plain as possible, as simple as possible. Make sure that it's a clean design that will work with whatever style you want it to.
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Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'
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At the pinnacle of great design are products so gorgeous and lust-worthy that you want to lick them: a Porsche 911, Samsung's Luxia TV, an Eames lounge chair or anything by Loro Piana.
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There are professions more harmful than industrial design, but only a few.
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Design, if it is to be ecologically responsible and socially responsive, must be revolutionary and radical.
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Many things difficult to design prove easy to performance.
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Everybody after Fukushima had to reassess the safety of nuclear. When I set out to design a reactor, I knew it had to be passive and intrinsically safe.
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Trying to design the perfect plan is the perfect recipe for disappointment.
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I'm not really a fashion designer. I just love clothes. I've never been to design school. I can't sketch. I can't cut patterns and things. I can shorten things. I can make a dress out of a scarf.
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I am equally proud of all of my architectural projects. It's always rewarding to see an ambitious design become reality.
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Wherever there is a design that is highly successful in a broad range of similar environments, it is apt to emerge again and again, independently - the phenomenon known in biology as convergent evolution. I call these designs 'good tricks.'
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All those lessons that I've learned on the court, I have applied them to my life outside of the court in business, my company, called V Starr interiors, an interior design company, and EleVen, which I wear on court.
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I wanted a real profession. And I'd always been interested in architecture and in design and in, really, what makes things work. And understanding what's kind of behind the walls and why things stand up and some things don't.
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I want to say it to so many people, 'why you have to be so serious?' And I also want people to think 'this kid has really gone crazy' when they see my performance on the stage. Luckily, I am able to achieve all of these.
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Even if you throw your hair up in a quick topknot or ponytail, you can add instant polish by wearing a headband or bejeweled barrette.
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I have learned to use the word 'impossible' with the greatest caution.
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I have slavishly dedicated myself to the construction of an image that nobody but me sees. Nobody but me is pondering the question: How does Maggie Rowe stack up against others as an overall human being?
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The owner always has the final say. You have to decide who is going to be the best fit for the organization.
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I'm opinionated. I always stick to my design plan. I don't waver.
