Douglas Wilson Quotes
Being in the design industry, I've tended to meet more people who are affected by HIV and AIDS.
Quotes to Explore
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There was just a lot of comedy on the TV in the house, and my parents are both very funny.
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For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.
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Whenever I dream about flying, it's the best feeling in the world.
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I was hired because I am Zsa Zsa Gabor, but when I go to work, directors try to force their methods on me. John Huston's intense, precise directions tortured me.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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Fear was absolutely necessary. Without it, I would have been scared to death.
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Whenever I read a script, I start recasting the role that I might play. I'm like, 'God, this should be played by Domhnall Gleeson, not me.'
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The only danger about websites, you know, is people who remember something you did or said thirty or forty years ago, and bring it up against you, so you're going for a job and you don't get it.
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And I've been walking 'round with memories way too long.
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When I was a kid, I wanted to be a baseball player.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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There are no dangerous thoughts; thinking itself is dangerous.
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A mind all logic is like a knife all blade. It makes the hand bleed that uses it.
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It is every intelligent man's experience that evildoing recoils on the doer sooner or later.
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Everything is a narrative in life. I learned that early on as a reporter at the 'Washington Post.'
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I'm more offended when someone's killed on television than when there's something that's sensuous or sexual. So what?
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I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
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You think you're in another civilization, another time, and then you see antennas coming out of these hovels, and your mouth falls open when you see the descendants of the Incas shouting 'Columbo! Columbo!'
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Architecture was my way of expressing my ideals: to be simple, to create a world equal to everyone, to look at people with optimism, that everyone has a gift. I don’t want anything but general happiness. Why is that bad?
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I have reached a limit in my work.
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Your modern teenager is not about to listen to advice from an old person, defined as a person who remembers when there was no Velcro.
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You can't be impatient about growth, because that's what leads people to make mistakes.
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Being in the design industry, I've tended to meet more people who are affected by HIV and AIDS.
