Douglas Wilson Quotes
Quotes to Explore
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Put simply, the doctrine of 'Fair Use' applies to content republished from copyrightable material and how much of that content is, literally, fair to use.
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It isn't hard to find injustice around us, but we must not let injustice smear the good deeds that do occur everyday.
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I like to play poker. I have a nice poker group that's been going on for years.
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Few men desire liberty; most men wish only for a just master.
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The worst is when I know I'm going to have to cry in a scene.
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There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.
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A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
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I'm obsessed with Radiohead. They're just the greatest band on the planet.
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Because the GIs were sent massively to South Vietnam, maybe it's a good idea to have a broadcast for them.
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I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
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I will say this about the Miz: Even though I don't like his wrestling style, he is a very hard worker. I have a huge amount of respect for him, and I want him to do well.
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I hate to look at the stuff I've written and consider what it means or why I do it.
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A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
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I'm often daydreaming, and it's because I've always liked the idea of there being something more than the normal world.
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I like making films about old people because they are repositories of amazing stories that they tell well. And they're incredibly good telly.
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The Empress has been connected with the ideas of universal fecundity and in a general sense with activity.
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Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.
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The whole world, as we experience it visually, comes to us through the mystic realm of color.
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We're offered bigger, larger budget movies to produce a lot, and we don't do them. That's not to say there aren't exceptions: there are a few exceptions, but I try and stick by the rules that produce what I think is the highest quality, most innovative work and try and let the rules go that make us feel like we're retreading.
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I don't read reviews. I find them very distracting, whether they're good or bad.
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'Mama's Family' was kind of like everyone's guilty pleasure.
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He drew himself up and said with dignity: 'We administer justice, Mr. Courtenay. And an ancient, basic tenet of justice is: ‘Better that one thousand innocents suffer unjustly than one guilty person be permitted to escape.’'
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You can't treat Russia like a guilty schoolboy who has to put a cross on a piece of paper to show he has done his homework. That kind of language is unacceptable.
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There is no such thing as a guilty pleasure.
