Douglas Wilson Quotes
Quotes to Explore
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Put simply, the doctrine of 'Fair Use' applies to content republished from copyrightable material and how much of that content is, literally, fair to use.
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It isn't hard to find injustice around us, but we must not let injustice smear the good deeds that do occur everyday.
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I like to play poker. I have a nice poker group that's been going on for years.
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Few men desire liberty; most men wish only for a just master.
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The worst is when I know I'm going to have to cry in a scene.
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There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.
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A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
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I'm obsessed with Radiohead. They're just the greatest band on the planet.
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Because the GIs were sent massively to South Vietnam, maybe it's a good idea to have a broadcast for them.
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I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
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I will say this about the Miz: Even though I don't like his wrestling style, he is a very hard worker. I have a huge amount of respect for him, and I want him to do well.
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I hate to look at the stuff I've written and consider what it means or why I do it.
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A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
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I'm often daydreaming, and it's because I've always liked the idea of there being something more than the normal world.
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I like making films about old people because they are repositories of amazing stories that they tell well. And they're incredibly good telly.
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The Empress has been connected with the ideas of universal fecundity and in a general sense with activity.
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Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.
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The whole world, as we experience it visually, comes to us through the mystic realm of color.
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How do you make it to the top when all you have is ambition and talent? You believe in yourself and surround yourself with other idealistic and talented friends that fuel each other and push against the establishment to take you seriously.
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Because everyone is guilty for everyone else. For all the 'wee ones,' because there are little children and big children. All people are 'wee ones.' And I'll go for all of them, because there must be someone who will go for all of them.
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I grew up in Philadelphia in a time where we took it for granted that we were supposed to be young and gifted and black. It was a culture of excellence - and all my friends were more talented than I was.
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There is no such thing as a guilty pleasure.
