Fred Hoyle Quotes
Between the ages of five and nine I was almost perpetually at war with the educational system. ...As soon as I learned from my mother that there was there was a place called school that I must attend willy-nilly-a place where you were obliged to think about matters prescribed by a 'teacher,' not about matters decided by yourself-I was appalled.
Quotes to Explore
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I've always enjoyed the teen angst thing. I had a lot of teen angst as I was growing up, so I think I have a lot to say about it through characters before I have to move on.
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Writing is challenging work because it's so easy to get consumed with how it's going, what's going to happen to it, who's going to like or not like it. You want to get all of that stuff out of your head and just let the work flow.
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Being evil is easy.
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I saw what the Depression was doing to my students. Often they could get no jobs, or jobs which were wholly inadequate. And through them, I began to understand how deeply political and economic events could affect men's lives. I began to feel the need to participate more fully in the life of the community.
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I am writing a book called 'The History of Australia in Hundred Objects.' It's of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes - those big long cranes used on construction sites.
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We kind of like the new Outkast.
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If I got hit by a truck, I would want to go to hospital, but if something is bothering me I will see my naturopath.
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Like some high official, you have to tell your brain: 'Do it. Come on. I have to do it.'
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I work in my attic, and the view is next door's chimney stack.
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The reason grandparents and grandchildren get along so well is that they have a common enemy.
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It's very rare, as an actor, to be someplace - to have an address, so to speak.
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Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.
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Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, forever.
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I'm excellent at losing weight, but I've never been excellent at maintenance. I have some better days than others in terms of being hypervigilant, but with maintenance you don't know if you've been good at it until you're done.
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In a way, it's good not to be recognised as much off screen.
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In this world of sin and sorrow there is always something to be thankful for; as for me, I rejoice that I am not a Republican.
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I always say I write my own novels and the characters don't take control of me, but in fact, I look at the characters in the early stages and I think, 'What is he or she like,' and they slowly come together and they become the person they are.
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I have a mantra in my head that there will always be another meal. I can put my fork down, knowing there will be good things in my future!
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My father, Kaneki, was a gifted research director of a chemical company, and his profession strongly influenced the path of my life.
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I'm quite happy with the way my life is.
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In cinema, the leading player is the director.
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When I got out of high school, I was working in restaurants in New York City, when I heard Bill Anderson from The Neighborhood Playhouse was doing private lessons. I started taking classes, and it was a lot of improv and Meisner and repetition.
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Between the ages of five and nine I was almost perpetually at war with the educational system. ...As soon as I learned from my mother that there was there was a place called school that I must attend willy-nilly-a place where you were obliged to think about matters prescribed by a 'teacher,' not about matters decided by yourself-I was appalled.
