Mary Kay Andrews Quotes
Quotes to Explore
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I am neither a Bengali nor am I from Delhi's St Stephen's. I am an Allahabad boy.
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We wrote 'Olive Kitteridge' as six hours, and they asked us to make it in four.
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Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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The Afro-American is not a bestial race.
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For me, writing about hotels is like writing about being in a parallel universe. The sense of voyeurism, and the sense of removedness, and there are all these people silently above you and next to you.
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About half the people at Valve have run their own companies, so they always have the option not just to take a job at another game company, but to go start their own company. The question you always have to answer is, 'How are we making these people more valuable than they would be elsewhere?'
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You possess a potent force that you either use, or misuse, hundreds of times every day.
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The use of solar energy has not been opened up because the oil industry does not own the sun.
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I normally don't endorse in Democratic primaries.
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I rarely cook traditional risotto, but I love other grains cooked similarly - barley, spelt or split wheat. I find they have more character than rice and absorb other flavours more wholeheartedly.
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They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
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Typically on a TV series, the writers on a show are writing for their life almost every episode. When someone sits down to write a Netflix show, they know there's going to be a 13th hour.
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There needs to be a place in the church or just outside - there needs to be a place where people feel free to ask questions without being put upon, where they feel free to ask difficult, challenging questions to voice their skepticism.
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I was very driven in high school. I worked a bunch of odd jobs. I never partied. I never drank. I was just a theater geek who was obsessed with movies.
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I love the horror genre and the thriller genre, so I've got no problem with playing a psycho.
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Sure I'm leaving the Bee Gees. I'm going into films.
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I guess my main influences are Jesus, rock 'n' roll and ex-wives. In that order.
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When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.
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The good Lord made us all out of iron. Then he turns up the heat to forge some of us into steel.
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I think 'Holler If Ya Hear Me' is almost 'A Raisin in the Sun' 50 years later, with just a different 20-year-old voice speaking the words. But it's about access to the American dream and equal lives having equal value in America. It's still holding a mirror up to us so we can see ourselves.
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Every day after school for 10 years, I was on the set of 'Married... with Children,' which is a really funny and perverse place for a little girl in a Catholic school uniform to grow up.
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I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character.
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I guess because I'm a washed-up journalist, I always do a lot of research.
