Boman Irani Quotes
One can understand a person by the way he removes his wallet and puts his hand to take out money.
Quotes to Explore
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Money isn't the most important thing in life, but it's reasonably close to oxygen on the 'gotta have it' scale.
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You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.
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Networks can typically invest tens of millions of dollars in the development of a pilot. And if they put the show on the air and it fails, that's all lost money. There's no monetization of a broken series.
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My mom has always been my champion. She was very smart and grounded. She said, 'Save your money. Pay your taxes. Don't put everything in one basket,' but she let me explore and be creative.
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In college, I wanted to be a child psychologist. Acting was just something on the side to make money. And it was fun.
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The type of music we know as classical music began with rich people hiring musicians or owning them in a way. Without funding, it's very hard to have this experience. Be it state money or private money, there has to be someone dedicated to raising the money.
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Time well spent results in more money to spend, more money to save, and more time to vacation.
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Hating Wall Street is an American tradition that dates back even to the days when Thomas Jefferson cursed that money lover Alexander Hamilton. And for centuries, the complaints about it have largely stayed the same: 'It does nothing! It creates chaos! It's a parasite that sucks hardworking Americans dry!'
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New York as an industry is the best city for real estate. You're in a very transparent market. If you need to liquidate, you make three phone calls and you could sell something, even in the worst market. It is also less forgiving; if you make a mistake you can lose money.
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I had spent time in New York, where I loved the idea that theater could be done up in tiny little rooms rather than for lots of money on a big stage, and be tied to ordinary life.
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The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
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Winning is obviously the biggest thing. Because if you don't win, nothing really matters. You can have all the money in the world, and they can still call you a loser.
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I'm always put in the unfortunate position of asking people to donate money and people I know in bands to play benefit concerts and all this stuff.
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My parents didn't have any money.
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I don't buy things now, I buy plane tickets. The only thing I want is to make enough money to be able to travel with my children.
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Our world is afflicted by poverty. Don't spend all this money on clothes!
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The challenge is shifting our appreciation: being willing to give up some of dad’s money for more of dad’s love. And, in the process, altering the psyche that makes him lovable.
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I grew up on a sugar plantation in Trinidad, on an expat estate, and that meant I had no idea about money until a lot later than most children.
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I never wanted to rely on my family for money.
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The first four years of my career, I never complained. I never demanded. I never said anything about money.
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I'd forget the piece just before I went out to do the concerto, the panic was too great. This was not anything that gave me pleasure. This was fulfilling somebody else's dream.
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I love the energy of an independent film set. No one is there for the money. Everyone is there 'cause they really want to be there. It makes all the difference in the world. It's without ego and agenda, other than just wanting to fulfill a creative dream.
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One can understand a person by the way he removes his wallet and puts his hand to take out money.
