Philip Glass Quotes
Quotes to Explore
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I feel like, for me, different environments are very important to me creatively. I think it's my norm to be on the move.
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I don't want to be polite. I don't think campaigning is polite. That's a disingenuous effort.
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There's one guy who inspired a nation of golfers, and that's Greg Norman. He's been incredible to me and all the great golfers.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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Unalloyed love of God is the essential thing. All else is unreal.
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When I turned 11, my dad decorated a room at the Standard hotel in Los Angeles in a '60s, Austin Powers style. There was human bowling: You run inside a giant inflatable ball and try to knock down pins. To this day, adults say it was one of the craziest parties they've ever been to.
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A busybody's work is never done.
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Confidence is contagious. So is lack of confidence.
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Psychoanalysis is out, under a therapeutic disguise, to do away entirely with the moral faculty in man.
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In my opinion, he only may be truly said to live and enjoy his being who is engaged in some laudable pursuit, and acquires a name by some illustrious action, or useful art.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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I used to be a dancer, and for me it was a really good combination of dance and acting.
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Few can contemplate without a sense of exhilaration the splendid achievements of practical energy and technical skill, which, from the latter part of the seventeenth century, were transforming the face of material civilization, and of which England was the daring, if not too scrupulous, pioneer.
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One is that President Clinton, in his first two years of his term, did not govern as he had campaigned.
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I'm not graceful.
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Truth is a tendency.
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If I ever own a restaurant, I will never allow the waiters to ask if the diners like their dishes. Particularly when they're talking.
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I've played so many different parts in the last 40 years.
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I've always been fascinated with aristocracy. I'm really interested in the Ivy Leagues, the final clubs, all the really old-money families, the concept of old money.
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Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
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My style was always intuitive. I never used to believe in working on your body. Anything that smacked of vanity to me was bad for your acting, but I learned that wasn't true.
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In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness.
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When you're just focused on nutrition and hunger, that's a harder, harder lift in isolation.
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In order to arrive at a personal style, you have to have a technique to begin with.
