Jacob Weisberg Quotes
While 'The Wire' feels startlingly lifelike, it is not, in fact, a naturalistic depiction of ghetto life. That kind of realism better describes an earlier miniseries of Simon's, 'The Corner,' which was based on the book of the same title that he and Ed Burns wrote, set in the same Baltimore ghetto.
Quotes to Explore
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With the rapid growth of Internet users in China bringing online video into a new paradigm, the market scale we first envisioned as an online video website back in 2006 has grown significantly.
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Excellence is not a skill, it's an attitude.
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I know people think that a lot of sports stars are a little bit up themselves, but they all have their heroes, too.
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There's an energy in an urban core that you just don't get anywhere else.
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That's why I talk about the breast cancer: because I want women - and everyone - to stay on top of things and get checked. I know how scary it can be. When I dealt with it, I was like, 'Oh my God.' And I have so many other friends who have gone through it or have suffered a loss.
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Near the end of my career, I saw things that didn't make too much sense to me when I was a kid.
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Everything is tennis for me, it's my career and it's entertainment, but it's also a business.
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I went to church when I was younger, but it was never something pushed down my throat or anything, which is a good thing. I found out for myself where I belonged.
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Four hostile newspapers are more to be feared than a thousand bayonets.
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When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more.
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I've always wanted to tackle the casual part of dressing. Knits to me are always just easy. I've fantasized about packing a suitcase of only knits: You just throw them in, roll them in a ball, pull them out and they still look fabulous.
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This country-right-or-wrong business is getting a little out-of-date.. History is moving pretty quickly these days and the heroes and villains keep on changing parts.
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I go to assume a task more difficult than that which devolved upon Washington. Unless the great God, who assisted him, shall be with me and aid me, I must fail; but if the same omniscient mind and almighty arm that directed and protected him shall guide and support me, I shall not fail - I shall succeed.
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True nostalgia is an ephemeral composition of disjointed memories.
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The general belief is that communists in the United Nations come only from the Iron Curtain countries, but this isn't so. We must remember that many of the representatives of free countries are members of the local Communist parties. If you add them all up, you will see they have an amazing degree of control.
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I don't want to argue with my wife about her car - or my driving.
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That's been the most exciting part of the show - incorporating the magic and the acrobats and the singing and dancing to make our 'Pippin.'
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I would say issues around human rights - either you're going to take a hard stance, or you're not. You can't borrow money from China the way the U.S. has done and then turn around and say, 'But you've got a human-rights problem.' You can't be half pregnant.
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So I think that our foreign policy, the president's strong and principled leadership when it comes to the war against terror and foreign policy is going to be an asset.
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I'm naturally curious, and I've always been driven by my curiosity. Curiosity gets people excited. Curiosity leads to new ideas, new jobs, new industries.
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I used to comfort myself with the idea of a book with serrated, detachable pages, so that you could read the thing the way it came and then shuffle the pages, like a giant deck of cards, and read the book in an entirely different order. It would be a different book, wouldn't it? It would be one of infinite books.
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While 'The Wire' feels startlingly lifelike, it is not, in fact, a naturalistic depiction of ghetto life. That kind of realism better describes an earlier miniseries of Simon's, 'The Corner,' which was based on the book of the same title that he and Ed Burns wrote, set in the same Baltimore ghetto.
