Jacqueline Bisset Quotes
I think the grandfather of the set is the director. He needs to have authority, to do what people want. A warm grandfather; he needs to know his job, to be open.
Quotes to Explore
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Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
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I've never managed to keep a journal longer than two weeks.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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Me and my dad are kind of distant since my mom and him separated.
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The Technion didn't teach students how to open a start-up.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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True character arises from a deeper well than religion.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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We are the recipients of scientific method. We can each be a creative and active part of it if we so desire.
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I can write best in the silence and solitude of the night, when everyone has retired.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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Obama is a great man who's just beginning to understand the realities. And I'm not just saying that because he reads my books. I would have voted for him anyway.
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Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
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I'd work for John Waters again, because he's so off the wall.
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I love any excuse to come to New York - when it's not February.
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A great calamity is as old as the trilobites an hour after it has happened.
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As a little kid, I watched hip hop get created. So it's an honour for me to represent the Bronx, the motherland of hip hop.
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I only made two studio movies, that was a long time ago and obviously I removed myself. I think some of that is geographical. I live in New York and I want to work there, it's as simple as that.
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Men have desired, and justly, that women should learn from their confessions in regard to the conflict between man and woman. But woman, because of the conventional conception of womanly purity, has been intimidated from conceding to men a deep insight into her erotic life experiences.
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I do love my hometown. It really forged who I am in a major way.
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Arthur Miller wouldn't have married me if I had been nothing but a dumb blonde.
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I think the grandfather of the set is the director. He needs to have authority, to do what people want. A warm grandfather; he needs to know his job, to be open.
