Jacqueline Bisset Quotes
I think the grandfather of the set is the director. He needs to have authority, to do what people want. A warm grandfather; he needs to know his job, to be open.
Quotes to Explore
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
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I've never managed to keep a journal longer than two weeks.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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Me and my dad are kind of distant since my mom and him separated.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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True character arises from a deeper well than religion.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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We are the recipients of scientific method. We can each be a creative and active part of it if we so desire.
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I can write best in the silence and solitude of the night, when everyone has retired.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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Obama is a great man who's just beginning to understand the realities. And I'm not just saying that because he reads my books. I would have voted for him anyway.
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Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
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I'd work for John Waters again, because he's so off the wall.
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I love any excuse to come to New York - when it's not February.
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A great calamity is as old as the trilobites an hour after it has happened.
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As a little kid, I watched hip hop get created. So it's an honour for me to represent the Bronx, the motherland of hip hop.
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My mother has done so much for me in my life and has continuously been there and been my rock.
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Artists are going to be the metronome of this society.
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You hear about things happening to people - they slip in the bathtub, fall down the stairs, step off the curb in London because they think that the cars come the other way - and they die. You feel you want to die making an effort at something; you don't want to die in some unnecessary way.
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Directing can be very lonely and quite intimidating.
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Style is how you see the world and how the world sees you. It isn't today and it isn't tomorrow; it isn't a dress or a car or a shoe or a comment-it's the cut of your sail as you cross this crazy, uncharted sea. Far ahead, legions of boats have already made the crossing-some grander, some more sleek-and still newer boats are always coming up behind you. Style is the manner in which you navigate your one remarkable voyage.
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You can never judge any music by their audience. That's the main reason people in England have a prejudice against someone like Skrillex. You judge people by their music. That's always been first and foremost.
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I think the grandfather of the set is the director. He needs to have authority, to do what people want. A warm grandfather; he needs to know his job, to be open.
