Jacques Audiard Quotes
The cinema, as literature, as all the plastic arts, do not exist outside of a critical system that allows us to study them.
Quotes to Explore
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Intimate relationships are a gold mine for literature to explore, to understand, to describe.
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The Arab world also won the Nobel with me. I believe that international doors have opened, and that from now on, literate people will consider Arab literature also. We deserve that recognition.
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I didn't know I wanted to act until it was around 21. I had just come back to Los Angeles after two and half years of traveling and working as a dancer and singer and was looking for a new performing art to study. I started taking acting classes and fell in love.
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The main concern of the study is with the outline of a theoretical system. Its minor variations from writer to writer are not a matter of concern to this analysis.
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Study first, play afterwards.
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I had a major bug for cities and for paintings and literature and all the things I thought went on in cities.
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Computers seem a little too adaptively flexible, like the strange natives, odd societies, and head cases we study in the social sciences. There's more opposable thumb in the digital world than I care for; it's awfully close to human.
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When once the itch of literature comes over a man, nothing can cure it but the scratching of a pen. But if you have not a pen, I suppose you must scratch any way you can.
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After Brown, I went to Duke, to a Ph.D. program in American literature. My dad's an English professor. After a year there, I was like, 'Jesus. I don't want to do this. I don't want to be in the library.' So I pulled the ripcord, and that was it.
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The adolescent protagonist is one of the hallmarks of American literature.
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When you run into something interesting, drop everything else and study it.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.
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For me, take Tiger Woods. I always thought he was great, but I never truly understood how good he was until I had the chance to go to Tiger Woods Golf Camp. He taught me how to swing and was hitting the ball, and this dude was unreal.
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The research I have been doing - studying how foodstuffs yield energy in living cells - does not lead to the kind of knowledge that can be expected to give immediate practical benefits to mankind. If I have chosen this field of study, it was because I believed in its importance in spite of its theoretical character.
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I've seen a study in the last year that digital sound actually induces stress in the listener.
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The identification of the genes which determine biological phenomena and the study of the control they exert on these phenomena has proven to be the most successful approach to a detailed understanding of the mechanism of biological processes.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Epidemiologists study patterns in order to combat infection. Stories about epidemics follow patterns, too. Stories aren't often deadly, but they can be virulent: spreading fast, weakening resistance, wreaking havoc.
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For me, performance is a holy ground. When I perform, I really step into a different state of consciousness.
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If you focus on literature through only one small element of it, like the more scientific element of linguistics, then where is the joy that brought us literature in the first place, which is to have a story?
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Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
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The cinema, as literature, as all the plastic arts, do not exist outside of a critical system that allows us to study them.
