Jacques Pepin Quotes
When I was a child, we always had wine on the table, no matter how simple the meal. The wine had no special identity; it was just 'the wine,' from the cellar cask. The rules were general: white with the first course, red with the main course.
Quotes to Explore
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The fallacy of the neoclassicals is their tenet that total employment, though hit by shocks, can be said always to be heading back to some normal level.
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So long as you do not achieve social liberty, whatever freedom is provided by the law is of no avail to you.
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I really think it is possible to make a very nice living by writing and not worrying about anything else.
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I've got quite a good poker face. I'm known for being able to keep my emotions very much in check: no one knows how I'm feeling. I can be winning or losing but keep it very much the same.
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I don't make much distinction between being a stand-up comic and acting Shakespeare - in fact, unless you're a good comedian, you're never going to be able to play Hamlet properly.
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Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I have - life itself.
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When I was little, people like Talking Heads were on the radio. There was something geeky yet groundbreaking about them.
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If in preaching the gospel you substitute your knowledge of the way of salvation for confidence in the power of the gospel, you hinder people from getting to reality.
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Dead men tell no tales.
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I've always wanted to do a lot of things.
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There are actors who aren't on the cover of magazines but still decide what work they want and when they want it. I want a family one day. So I dream of really being able to decide when to work and when not to.
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But you are absolutely right that when the international community decides to help in a meaningful manner a country like Afghanistan, then coordination between the various actors that are involved in these processes is very, very difficult indeed.
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I am glad. I am now an Olympic medallist.
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Even as I think of myself as a 'rememberer,' I also know my memory is probably doing all this work to reconstruct a narrative where I come off better.
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You rewind. You think of your preparation. You think of everything you did throughout the week, your life, the practices, the intensity. Everything flashes, and you come right back to that point. And it's like, game on.
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I've been told by journalists that Facebook is upset anytime we're mentioned.
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I approach 'Fast & Furious 6' the same way I would approach a Sidney Lumet film. Getting into character's getting into character.
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Everybody loves vampire stories, and if there's one show in particular that's done really well, it just opens the door and the opportunity for more of those kind of stories to get through.
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Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
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And now here is my secret, a very simple secret: it is only with the heart that one can see rightly, what is essential is invisible to the eye.
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The sense of war, the extraordinary bravery of the Allied armies, the numbers, the losses, the real suffering that disappears in time and commemorative oratory, are not marked out in any red guidebook of the emotions, but they are present if you look.
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The world we live in has been and is being increasingly politicised so that our daily experience is more and more a matter of public policy.
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It's a miracle that David Bowie, Lou Reed and Iggy Pop are actually still alive today, given how hard they lived.
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When I was a child, we always had wine on the table, no matter how simple the meal. The wine had no special identity; it was just 'the wine,' from the cellar cask. The rules were general: white with the first course, red with the main course.
