Candace Bushnell Quotes
I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
Quotes to Explore
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I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
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I don't see women and think of them as competition or with judgment. Women really move me. I feel connected to all kinds of women. I am angry because I think we've been mistreated throughout history in different countries, including America. I admire women.
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Democracy should be practiced not every six years, but every day.
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I think the really cool and compelling thing about math and physics is that it opens up entry to all these hypotheticals - or at least, it gives you the language to talk about them. But at the same time, if a scenario is completely disconnected from reality, it's not all that interesting.
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I want my son to become aware that he is in charge of the choices he makes, and it's good to make thoughtful, good choices.
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Soderbergh is a very respectable director that manages to have an incredible amount of freedom in a system that doesn't allow anybody to be free as he is on a set. And he will jump from 'Solaris' to 'Ocean's Twelve' and 'Thirteen.'
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When we grew up, we wanted to do two things: to own a sports team and a casino.
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I have no interest in non-fiction. I don't read it and don't watch it and don't write it, other than a little journalistic column.
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I always had dreams as a kid. I definitely sat at home and watched the Oscars every year and got emotional every year at everyone's speeches.
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I'm very kinesthetic, and when you're that way, you just feel it in your body. I know that other actors think with the logical part of their brain, but I wear my character inside my body, even when I'm away from the set.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too.
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I will far rather see the race of man extinct than that we should become less than beasts by making the noblest of God's creation, woman, the object of our lust.
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I've been doing this since 2011, when I started on Instagram. Building my presence on there was important to my brand, but I wanted to take my audience to other platforms, so I then crossed over to Twitter second, then YouTube third. It wasn't until I made my fourth crossover to a different platform that I went to Vine.
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Men and women should stay apart, till their hearts grow gentle towards one another again.
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There will never be talking pictures.
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The ability to delude yourself may be an important survival tool.
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You know, one of these things that happened in the '60s and '70s was this confluence of, sort of, a counter-culture with computer culture.
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None are more taken in by flattery than the proud, who wish to be the first and are not.
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No coach wants to sit back and not have control of the team.
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I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
