Candace Bushnell Quotes
I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
Quotes to Explore
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Sometimes you just wonder whether people just don't have the sensitivity or decency. I'm a member of the media myself: I host a talk show. I know sometimes when you want to ask something, you can circumvent it with words and vocabulary. You don't suddenly just go out there and ask something directly in the pretense of being absolutely candid.
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I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
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I don't see women and think of them as competition or with judgment. Women really move me. I feel connected to all kinds of women. I am angry because I think we've been mistreated throughout history in different countries, including America. I admire women.
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Democracy should be practiced not every six years, but every day.
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I think the really cool and compelling thing about math and physics is that it opens up entry to all these hypotheticals - or at least, it gives you the language to talk about them. But at the same time, if a scenario is completely disconnected from reality, it's not all that interesting.
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I want my son to become aware that he is in charge of the choices he makes, and it's good to make thoughtful, good choices.
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Soderbergh is a very respectable director that manages to have an incredible amount of freedom in a system that doesn't allow anybody to be free as he is on a set. And he will jump from 'Solaris' to 'Ocean's Twelve' and 'Thirteen.'
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When we grew up, we wanted to do two things: to own a sports team and a casino.
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I have no interest in non-fiction. I don't read it and don't watch it and don't write it, other than a little journalistic column.
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I always had dreams as a kid. I definitely sat at home and watched the Oscars every year and got emotional every year at everyone's speeches.
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I'm very kinesthetic, and when you're that way, you just feel it in your body. I know that other actors think with the logical part of their brain, but I wear my character inside my body, even when I'm away from the set.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too.
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I will far rather see the race of man extinct than that we should become less than beasts by making the noblest of God's creation, woman, the object of our lust.
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I've been doing this since 2011, when I started on Instagram. Building my presence on there was important to my brand, but I wanted to take my audience to other platforms, so I then crossed over to Twitter second, then YouTube third. It wasn't until I made my fourth crossover to a different platform that I went to Vine.
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Men and women should stay apart, till their hearts grow gentle towards one another again.
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My guess is that Apple won't just pass Microsoft in market capitalization, but will go way beyond it.
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By the time you know what to do, you're too old to do it.
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In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.
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There's one thing I know for sure: When I'm most opinionated, my writing sucks.
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And as we stray further from love, we multiply the words. Had we remained together we could have become a silence.
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I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
