Jacques Verges Quotes
Quotes to Explore
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My parents were self-made people, and they were a team.
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When I was on 'Trauma,' the first order was six, which turned to 12, and then there were rumors of getting cancelled. I'm used to that.
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It is one of the primary motives of modern art that it wants to abolish the distance which the viewer, the consumer, the audience maintain vis-a-vis a work of art.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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Sometimes when you're writing a song and that song comes into your head, it definitely comes from somewhere, like a real experience.
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People first concern themselves with meeting their basic needs; only afterwards, do they pursue any higher needs.
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You have to really prove yourself to young people, and if your answer is clear and consistent and loving - even if it's angry and disappointed - what's important is that you're being real and honest and not going anywhere.
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Always keep that happy attitude. Pretend that you are holding a beautiful fragrant bouquet.
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You grow up and change your look. I feel different from how I did in my Playboy days. Now I think I'm in charge of toning down my look or not.
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The region west of the Mississippi continued in the popular mind to be a strange land for which the reports of explorers and travellers did the work of fiction, and Cooper's Prairie had few followers.
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Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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Women are the strong people in this world, not men. I think TV is finally catching up with that reality, and thank God.
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The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.
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Because I've done a lot of theater, I know what power is and how megalomaniacs are, since I've certainly played some.
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It's sort of like, our bodies are designed to keep moving, and when we don't move it, we're not going to feel great.
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The kind of audience I'm speaking to is a very wide range of people.
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It's so great to see a woman dressed in jeans and a lace-up boot with an extraordinary jacket. It's a moment where you do want to mix high and low, and it's not so much about a head-to-toe designer look.
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The opera is like a husband with a foreign title - expensive to support, hard to understand and therefore a supreme social challenge.
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I do think that there is both a very powerful sense of entitlement and a kind of bubble of wealth which makes it hard for the people at the very top to understand the travails of the middle class.
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'Regression testing'? What's that? If it compiles, it is good; if it boots up, it is perfect.
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I didn't know it was going to be this severe.
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It is good for society to have this introspection.
