Jacques-Louis David Quotes
It is the last painting that I want to do, but I want to surpass myself in it. I am putting into it the experience of my 65 years and I do not want to touch a paintbrush again.
Quotes to Explore
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I can tell you I'm not exactly sure why I teach. I think a lot of it is just it's the sense of community. A real desire to be involved both with people older than myself and people younger.
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If I don't write down a thought - or an image or a line of poetry - the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the car, the bicycle basket, on one or two desks in every room including bathrooms and the kitchen.
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I wonder now how tough you have to be to get big things done.
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I don't really yell at people.
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It should take you 15 minutes to make a song, and then get out of there.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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In order for me to be successful... In order to be a great artist - musician, actor, painter, whatever - you must be able to be private in public at all times. That is what we do.
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Thrift shopping is all about going into the thrift shop and having no expectation of what you might find.
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One of the main lessons I have learned the last five years as Secretary-General is that the United Nations cannot function properly without the support of the business community and civil society. We need to have tripartite support - the governments, the business communities and the civil society.
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Put the uncommon effort into the common task... make it large by doing it in a great way.
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I take what I see work. I'm a strict believer in the scientific principle of believing nothing, only taking the best evidence available at the present time, interpreting it as best you can, and leaving your mind open to the fact that new evidence will appear tomorrow.
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If it sells, it sells. If it doesn't sell, I'll go make a movie.
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The idea of confidence, of the emotions of the population, is an incredibly important one in economics. John Maynard Keynes called it 'animal spirit.' And if people are feeling generally good about the future, they're more likely to spend money, to start new companies; companies are more likely to hire people, make investments.
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I don't want to participate in traditional Indian religious ceremonies - dance in a sun dance or pray in a sweat lodge or go on a vision quest with the help of a medicine man. The power of these ceremonies has an appeal, but I'm content with what little religion I already have.
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But no nation can base its survival and development on luck and prayers alone while its leadership fritters away every available opportunity for success and concrete achievement.
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I was an arrogant man. I not only thought I could manage my life without help, I wanted it that way. I had best-selling books and a TV show and movie contracts; I felt invincible, secure in the thought that everything was my doing. And then, like all arrogant men, I came to stumble.
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The fight scenes are pretty easy and come pretty naturally for me, to be honest.
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In this decayed hole among the mountainsIn the faint moonlight, the grass is singingOver the tumbled graves, about the chapelThere is the empty chapel, only the wind's home.
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There is only one answer to destructiveness and that is creativity.
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A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.
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In my own case I have frequently faced the pitcher when I had no desire whatever to hit. I wanted to get a base on balls.
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My death scene in 'The Salton Sea' is really weird. I mean, I get shot in the head. What experience can you possibly draw from? There's nothing you can compare it to, really.
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It is the last painting that I want to do, but I want to surpass myself in it. I am putting into it the experience of my 65 years and I do not want to touch a paintbrush again.
