Pauline Frederick Quotes
Because when I have been busy at the United Nations during crises, it has meant working day and night.
Quotes to Explore
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I'd love to work with David Lynch. I'm such a big fan. He's a genius.
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I'm happy to fight anybody.
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Culturally, the First World War is the war that stands in for other wars.
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What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.
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I found one had to do some work every day, even at midnight, because either you're professional or you're not.
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When I find the right information, the Web is a blessing; when I don't, it's a distraction.
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I lost 80 percent of my wealth and then gave away over half of the rest. So I'm a man of modest means now. But if you budget carefully and watch your expenditures, you can get by on a couple billion dollars.
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Coming from the Midwest, I didn't know about stand-up as an art. I just thought stand-up comedians were old men in suits talking about their wives.
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I had written lyrics to a song called The Silent Extreme, which Alex later renamed Humans Being.
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Galley Molina's a great inspiration and role model for a lot of young kids out there.
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I pray for discretion every single night, that I can see through people, see what their greater good is. Sometimes that individual 'wows' you by the eye, but when it come to heart to heart, that person's not there for you. That's not just females. That may be friends, people who come into your life just to use you for who you are.
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A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
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Music is something I can't stop. Whether people are going to hear it or not, I'm still going to make music.
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The ballets you do make you into the final product you are. And I had extraordinary partners.
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When women criticized men, I called it 'insight'... When men criticized women, I called it 'sexism' and 'backlash.'
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After my stellar first grade academic achievements, I continued to perform well in the city primary schools - except for penmanship, which was not my forte.
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I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
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This rap game is just WWF; everybody wants points off somebody else.
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Rarely do we stop and consider whether the most prestigious of institutions is always in our best interest.
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Right now I think censorship is necessary; the things they're doing and saying in films right now just shouldn't be allowed. There's no dignity anymore and I think that's very important.
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We must not stay as we are, doing always what was done last time, or we shall stick in the mud. Yet neither must we undertake a new world as catastrophic Utopians, and wreck our civilization in our hurry to mend it.
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There are different ways to do innovation. You can plant a lot of seeds, not be committed to any particular one of them, but just see what grows. And this really isn't how we've approached this. We go mission-first, then focus on the pieces we need and go deep on them and be committed to them.
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The cultivated man of today is gradually turning away from natural things, and his life is becoming more and more abstract. Natural (external) things become more and more automatic, and we observe that our vital attention fastens more and more on internal things.
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Because when I have been busy at the United Nations during crises, it has meant working day and night.
