Pauline Frederick Quotes
Because when I have been busy at the United Nations during crises, it has meant working day and night.

Quotes to Explore
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I'm happy to fight anybody.
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Culturally, the First World War is the war that stands in for other wars.
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What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.
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I found one had to do some work every day, even at midnight, because either you're professional or you're not.
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When I find the right information, the Web is a blessing; when I don't, it's a distraction.
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I lost 80 percent of my wealth and then gave away over half of the rest. So I'm a man of modest means now. But if you budget carefully and watch your expenditures, you can get by on a couple billion dollars.
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Coming from the Midwest, I didn't know about stand-up as an art. I just thought stand-up comedians were old men in suits talking about their wives.
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I had written lyrics to a song called The Silent Extreme, which Alex later renamed Humans Being.
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Galley Molina's a great inspiration and role model for a lot of young kids out there.
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I pray for discretion every single night, that I can see through people, see what their greater good is. Sometimes that individual 'wows' you by the eye, but when it come to heart to heart, that person's not there for you. That's not just females. That may be friends, people who come into your life just to use you for who you are.
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A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
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Music is something I can't stop. Whether people are going to hear it or not, I'm still going to make music.
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The ballets you do make you into the final product you are. And I had extraordinary partners.
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When women criticized men, I called it 'insight'... When men criticized women, I called it 'sexism' and 'backlash.'
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After my stellar first grade academic achievements, I continued to perform well in the city primary schools - except for penmanship, which was not my forte.
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I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
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This rap game is just WWF; everybody wants points off somebody else.
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And sometimes you have to go above the written law, I believe.
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We have a million ways to get ahold of people, and we're the loneliest we've ever been.
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It just gets frustrating playing the girlfriend, It's just this awful feeling, sitting in your house, waiting for a script to come. I like to be more proactive.
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Extremes, though, are always risky and ordinarily downright baneful, and the dangers of prolonged contact with any poetry that seems to exceed what we most familiarly know of the first-class are formidable.
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For most of my writing life, I've refused to allow myself to believe that writing was a significant form of action. I always felt very uneasy about the fact that all I did was write in a situation as desperate as apartheid South Africa. Whether I was correct or not is a different issue.
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There is no process of amalgamation by which opinions, wrong individually, can become right merely by their multitude.
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Because when I have been busy at the United Nations during crises, it has meant working day and night.